Rundfunkorchester des Südwestfunks Baden-Baden made "The Magic Flute, K. 620: Allegro: "Papagena! Papagena! Weibchen! Täubchen!"" available on January 2, 2019. The duration of The Magic Flute, K. 620: Allegro: "Papagena! Papagena! Weibchen! Täubchen!" is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. The Magic Flute, K. 620: Allegro: "Papagena! Papagena! Weibchen! Täubchen!"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wolfgang Amedeus Mozart: Arias and Opera Scenes by Rundfunkorchester des Südwestfunks Baden-Baden. The song's track number on the album is #13 out of 16 tracks. In terms of popularity, The Magic Flute, K. 620: Allegro: "Papagena! Papagena! Weibchen! Täubchen!" is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since The Magic Flute, K. 620: Allegro: "Papagena! Papagena! Weibchen! Täubchen!" by Rundfunkorchester des Südwestfunks Baden-Baden has a tempo of 111 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With The Magic Flute, K. 620: Allegro: "Papagena! Papagena! Weibchen! Täubchen!" being at 111 BPM, the half-time would be 56 BPM with a double-time of 222 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aida / Act 2: "Gloria all'Egitto" | Giuseppe Verdi, Dresden State Opera Chorus, Chor der Staatsoper Dresden, Staatskapelle Dresden, Silvio Varviso | E♭ Major | 2 | 5B | 115 BPM | ||
Giulio Cesare in Egitto : Piangerò la sorte mia | George Frideric Handel, Joyce DiDonato, Il Complesso Barocco, Alan Curtis | E♭ Major | 1 | 5B | 135 BPM | ||
Nabucco: Va, Pensiero (Choeur des esclaves Hébreux) (Extrait) | L'Orchestre National du Bolchoï | D♭ Major | 1 | 3B | 83 BPM | ||
Serenade für Streicher Nr. 13, G-Dur, KV 525: I. Allegro | Alexander Pitamic, Camerata Labacensis | G Major | 1 | 9B | 122 BPM | ||
Cublai, gran Khan dei Tartari: Fra i barbari sospetti (Alzima) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | G Major | 2 | 9B | 128 BPM | ||
Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | A♭ Major | 1 | 4B | 171 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
The Magic Flute, K. 620: Act I, No. 7. Duetto: "Bei Männern, welche Liebe fühlen" | Rundfunkorchester des Südwestfunks Baden-Baden | E♭ Major | 0 | 5B | 96 BPM | ||
Rigoletto, Atto III, Canzone: "La donna è mobile" | Giuseppe Verdi, Jonas Kaufmann, Pier Giorgio Morandi, Parma Opera Orchestra | B Major | 2 | 1B | 136 BPM | ||
Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Maria Callas, RAI Symphony Orchestra, Rome, Tullio Serafin | A♭ Major | 1 | 4B | 136 BPM |
Section: 0.6989362239837646
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