"Gianni Schicchi: O mio babbino caro" by Giacomo Puccini, Maria Callas, RAI Symphony Orchestra, Rome, Tullio Serafin was released on June 29, 2010. The duration of Gianni Schicchi: O mio babbino caro is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Gianni Schicchi: O mio babbino caro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 11 in Callas, Maria: Liebeslieder by Maria Callas, Tullio Serafin, Herbert von Karajan, Antonino Votto, Oliviero de Fabritiis, Vittorio Gui, Arturo Basile. Based on our statistics, Gianni Schicchi: O mio babbino caro's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gianni Schicchi: O mio babbino caro by Giacomo Puccini, Maria Callas, RAI Symphony Orchestra, Rome, Tullio Serafin is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Serse, HWV 40, Act 1 Scene 1: No. 2, Arioso, "Ombra mai fù" (Serse) | George Frideric Handel, William Christie | E Major | 1 | 12B | 89 BPM | ||
Bellini: Norma, Act 1: Casta diva (Norma, Chorus) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Dino Olivieri, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Vittore Veneziani | F Major | 2 | 7B | 83 BPM | ||
Cessato il suon dell'Armi (1887) | Giacomo Puccini, Joseph Calleja, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | A Major | 5 | 11B | 113 BPM | ||
Extrait "Casta Diva" | Maria Callas, Tullio Serafin, Choeur et orchestre du Théâtre de la Scala de Milan | F Major | 1 | 7B | 87 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 4, Im Abendrot | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | B♭ Major | 1 | 6B | 82 BPM | ||
La Traviata: Libiamo, ne' lieti calici (Brindisi) | Giuseppe Verdi, Laura Zanini, Vito Susca, Orquesta Sinfonica del Teatro Nacional de Santa Carlos, Lisboa, Alvaro Malta, Alessandro Maddalena, Alfredo Kraus, Franco Ghione, Piero de Palma, Coro del Teatro Nacional de Santa Carlos, Lisboa, Maria Callas | D♭ Major | 2 | 3B | 89 BPM | ||
Gianni Schicchi (Oper in 1 Akt) | Mirella Freni | A♭ Major | 2 | 4B | 174 BPM | ||
Love's Last Word Is Spoken | Mario del Monaco | G Major | 3 | 9B | 84 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Tu sei turbato!...E n'ho ben d'onde" (Normanno, Enrico, Raimondo) | Gaetano Donizetti, Gino Sarri/Tito Gobbi/Raffaele Arié/Orchestra del Maggio Musicale Fiorentino/Tullio Serafin, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Turandot / Act 3: "Nessun dorma" - Live | Giacomo Puccini, Luciano Pavarotti, Plácido Domingo, José Carreras, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta | D Major | 4 | 10B | 148 BPM |
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