"Les deux pigeons - Suite (2002 - Remaster): Thème et variations" by André Messager, Orchestra of the Royal Opera House, Covent Garden/Sir Charles Mackerras, Sir Charles Mackerras, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden was released on 1988. With this song being about 5 minutes long, at 5:12, "Les deux pigeons - Suite (2002 - Remaster): Thème et variations" by André Messager, Orchestra of the Royal Opera House, Covent Garden/Sir Charles Mackerras, Sir Charles Mackerras, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 21 in Delibes/Messager/Gounod : Ballet Music by Sir Charles Mackerras. Based on our statistics, Les deux pigeons - Suite (2002 - Remaster): Thème et variations's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les deux pigeons - Suite (2002 - Remaster): Thème et variations by André Messager, Orchestra of the Royal Opera House, Covent Garden/Sir Charles Mackerras, Sir Charles Mackerras, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Czech Suite, Op. 39: II. Polka | Antonín Dvořák, Janacek Philharmonic Orchestra, Theodore Kuchar | F♯ Major | 1 | 2B | 86 BPM | ||
Messager : L'Amour masqué [1923] : Mon rêve [Elle] | André Messager, Susan Graham, Yves Abel, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 170 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
Holberg Suite, Op. 40: V. Rigaudon (Allegro con brio) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 85 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 82 BPM |
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