"Die Zauberflöte: Act 1 - Overture" by Elisabeth Grümmer, Sir Georg Solti, Erika Köth was released on March 25, 2009. Since Die Zauberflöte: Act 1 - Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wolfgang Amadeus Mozart: Die Zauberflöte by Elisabeth Grümmer. The song's track number on the album is #1 out of 48 tracks. Die Zauberflöte: Act 1 - Overture is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Zauberflöte: Act 1 - Overture by Elisabeth Grümmer, Sir Georg Solti, Erika Köth has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Zauberflöte: Act 1 - Overture being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alceste (Sung in French): Overture | Christoph Willibald Gluck, Jessye Norman, Nicolai Gedda, Siegmund Nimsgern, Tom Krause, Robert Gambill, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Serge Baudo | C Minor | 0 | 5A | 69 BPM | ||
Stabat Mater, Op. 58: II. Quis est homo, qui non fleret (Andante sostenuto) | Antonín Dvořák, Philippe Herreweghe, Royal Flemish Philharmonic, Ilse Eerens, Michaela Selinger, Maximilian Schmitt, Florian Boesch | A Major | 1 | 11B | 133 BPM | ||
Requiem in D Minor, WAB 39: IVa. Agnus Dei | Anton Bruckner, Johanna Winkel, Sophie Harmsen, Michael Feyfar, Ludwig Mittelhammer, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz | C Major | 0 | 8B | 65 BPM | ||
Ein deutsches Requiem, Op. 45: Langsam - Ihr habt nun Traurigkeit - 1997 Digital Remaster | Johannes Brahms, Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau, The Philharmonia Chorus, Philharmonia Orchestra, Ralph Downes, Reinhold Schmid, Otto Klemperer | G Major | 0 | 9B | 90 BPM | ||
The Abduction from the Seraglio, K.384: Act II, Aria: "Tortures Unrelenting" | Rundfunkorchester des Südwestfunks Baden-Baden | C Major | 2 | 8B | 113 BPM | ||
Un mari à la porte: Valse Tyrolienne | Jacques Offenbach, Sumi Jo, English Chamber Orchestra, Richard Bonynge | C Minor | 0 | 5A | 131 BPM | ||
Stabat mater, op.58: 5. Coro "Tui nati vulnerati" | Antonín Dvořák, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli | D Major | 1 | 10B | 147 BPM | ||
Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 2: Dialog, "Lasst mich zufrieden! … Was gibt's hier?" (Max, Kuno, Kilian, Kaspar, Chorus) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | E Major | 3 | 12B | 82 BPM | ||
Offenbach: La Vie parisienne: Overture | Jacques Offenbach, Louis Frémaux, City Of Birmingham Symphony Orchestra | G Minor | 1 | 6A | 171 BPM | ||
Giulio Cesare / Act 1: Va tacito e nascosto | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 132 BPM |
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