"Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 2: Dialog, "Lasst mich zufrieden! … Was gibt's hier?" (Max, Kuno, Kilian, Kaspar, Chorus)" by Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth was released on 1959. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Weber: Der Freischutz by Carl Maria von Weber, Joseph Keilberth. The song's track number on the album is #5 out of 32 tracks. Based on our data, Germany was the country where this track was produced or recorded. Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 2: Dialog, "Lasst mich zufrieden! … Was gibt's hier?" (Max, Kuno, Kilian, Kaspar, Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 2: Dialog, "Lasst mich zufrieden! … Was gibt's hier?" (Max, Kuno, Kilian, Kaspar, Chorus) by Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Weber: Der Freischütz, Op. 77, J. 277, Act 1 Scene 2: Dialog, "Lasst mich zufrieden! … Was gibt's hier?" (Max, Kuno, Kilian, Kaspar, Chorus) being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Album for the Young, Op. 39: No. 3. Mamma (Maman) | Pyotr Ilyich Tchaikovsky, Carol Rosenberger | G Major | 0 | 9B | 87 BPM | ||
Le maître et l'élève, Op. 96: No. 2, Moment musical | Moritz Moszkowski, Antony Gray, Nickush Bhudia | F Minor | 1 | 4A | 100 BPM | ||
13 Pieces, Op. 76: No. 1 Esquisse | Jean Sibelius, Håvard Gimse | A Major | 1 | 11B | 141 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Der Freischütz, Op. 77, Act 1 Scene 2: Duetto "Nimm hin des Freundes Gabe" (Der Eremit, Agathe) | Carl Maria von Weber, René Jacobs, Freiburger Barockorchester, Christian Immler | E Major | 1 | 12B | 91 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo (Transcr. by Sergueï Rachmaninov) | Felix Mendelssohn, Bertrand Chamayou | C Minor | 2 | 5A | 129 BPM |
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