Friedrich Gulda, Martin David Jones made "Prelude & Fugue: Fugue" available on April 13, 2018. The duration of Prelude & Fugue: Fugue is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Prelude & Fugue: Fugue's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Friedrich Gulda, Martin David Jones's "Gulda: Piano Works" album is number 13 out of 18. In terms of popularity, Prelude & Fugue: Fugue is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Prelude & Fugue: Fugue by Friedrich Gulda, Martin David Jones to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Glinka/Balakirev: The Lark (L'Alouette) | Glinka/Balakirev, Philip Fowke | B♭ Minor | 0 | 3A | 77 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato | Joseph Haydn, Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim | D♭ Minor | 1 | 12A | 84 BPM | ||
12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation X. Adagio | Ludwig van Beethoven, Pierre Fournier, Friedrich Gulda | F Minor | 0 | 4A | 174 BPM | ||
Gondellied (Barcarolle) in A major (1837): Allegretto non troppo, MWV U 136 | Felix Mendelssohn, Daniel Barenboim | A Major | 0 | 11B | 72 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: II. Adagio religioso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | E♭ Major | 1 | 5B | 66 BPM | ||
A Sunday Evening in Autumn | Francis Purcell Warren, Steven Isserlis, Stephen Hough | A Major | 0 | 11B | 68 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Lieder ohne Worte, Op.30: No. 3. Andante sostenuto in E, MWV U 104 - "Consolation" | Felix Mendelssohn, Daniel Barenboim | E Major | 0 | 12B | 108 BPM | ||
Adagio, Variations and Rondo on Schone Minka, Op. 78: Variation 4 | Johann Nepomuk Hummel, Lise Daoust, Elizabeth Dolin, Carmen Picard | A Major | 1 | 11B | 128 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | F♯ Minor | 0 | 11A | 84 BPM |
Section: 0.6005337238311768
End: 0.605553150177002