"Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato" by Joseph Haydn, Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim was released on December 3, 1986. Since Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 6 in Dvorák: Cello Concerto - Haydn: Cello Concerto No. 1 by Jacqueline du Pré. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato by Joseph Haydn, Jacqueline du Pré, English Chamber Orchestra, Daniel Barenboim is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 4 in D Minor, Op. 31: III. Scherzo. Vivace - Trio. Meno mosso | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Major | 1 | 10B | 135 BPM | ||
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
10 Preludes, Op. 23: No. 10 in G-Flat Major (Largo) | Sergei Rachmaninoff, Vladimir Ashkenazy | E Major | 0 | 12B | 89 BPM | ||
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: III. Allegro non troppo (Live) | Camille Saint-Saëns, Jacqueline du Pré, Daniel Barenboim, Philadelphia Orchestra | F Major | 1 | 7B | 74 BPM | ||
Schumann: Fantasiestücke, Op. 73: No. 2, Lebhaft, leicht | Robert Schumann, Jacqueline du Pré, Gerald Moore | D♭ Major | 1 | 3B | 125 BPM | ||
Sonata in G Minor (1999 - Remaster): I. Grave | George Frideric Handel, Jacqueline du Pré | G Minor | 1 | 6A | 60 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Violin Concerto No.1 In G Minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 105 BPM |
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