Felix Mendelssohn, Daniel Barenboim's 'Lieder ohne Worte, Op.30: No. 3. Andante sostenuto in E, MWV U 104 - "Consolation"' came out on January 1, 1974. The duration of Lieder ohne Worte, Op.30: No. 3. Andante sostenuto in E, MWV U 104 - "Consolation" is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Lieder ohne Worte, Op.30: No. 3. Andante sostenuto in E, MWV U 104 - "Consolation"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Daniel Barenboim's "Mendelssohn: Songs without Words" album is number 9 out of 58. In terms of popularity, Lieder ohne Worte, Op.30: No. 3. Andante sostenuto in E, MWV U 104 - "Consolation" is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lieder ohne Worte, Op.30: No. 3. Andante sostenuto in E, MWV U 104 - "Consolation" by Felix Mendelssohn, Daniel Barenboim to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
IV. April. The Snowdrop | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | C Minor | 0 | 5A | 166 BPM | ||
Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | D Minor | 0 | 7A | 132 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Pour bercer un convalescent for Two Pianos: III. Andantino espressivo | Reynaldo Hahn, Tal & Groethuysen | A Major | 0 | 11B | 56 BPM | ||
Piano Sonata No. 31 In A Flat Major, Op. 110: 1. Moderato cantabile molto espressivo | Ludwig van Beethoven, Daniel Barenboim | A♭ Major | 0 | 4B | 167 BPM |
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