"Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): VI. The Saga of Jenny" by Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop was released on August 1, 2005. Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): VI. The Saga of Jenny is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. This song is part of Weill: Symphonies Nos. 1 and 2 / Lady in the Dark - Symphonic Nocturne by Kurt Weill, Marin Alsop. The song's track number on the album is #10 out of 10 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): VI. The Saga of Jenny is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): VI. The Saga of Jenny by Kurt Weill, Robert Russell Bennett, Bournemouth Symphony Orchestra, Marin Alsop has a tempo of 69 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Lady in the Dark - Symphonic Nocturne (arr. R.R. Bennett): VI. The Saga of Jenny being at 69 BPM, the half-time would be 34 BPM with a double-time of 138 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vesperae solennes de confessore in C, K.339: 5. Laudate Dominum omnes gentes | Wolfgang Amadeus Mozart, Kiri Te Kanawa, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | F Major | 1 | 7B | 82 BPM | ||
Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | ||
Carmen, WD 31 / Act 2: "La fleur que tu m'avais jetée" | Jonas Kaufmann, Georges Bizet, Prague Philharmonic Orchestra, Marco Armiliato | D♭ Major | 2 | 3B | 91 BPM | ||
Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Major | 1 | 2B | 87 BPM | ||
La Bohème / Act 2: "Quando men vo" | Giacomo Puccini, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | F♯ Minor | 1 | 11A | 88 BPM | ||
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Sir Neville Marriner, Academy of St. Martin in the Fields | D♭ Major | 0 | 3B | 97 BPM | ||
Die Dreigroschenoper: Akt II, Die Ballade von der sexuellen Hörigkeit ("Da ist nun einer schon der Satan selber") | Kurt Weill, Trude Hesterberg, Wilhelm Brückner-Rüggeberg | C Minor | 1 | 5A | 76 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | C Minor | 0 | 5A | 77 BPM | ||
Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Major | 2 | 9B | 84 BPM | ||
Selve amiche | Antonio Caldara, Cecilia Bartoli, György Fischer | A Minor | 0 | 8A | 136 BPM |
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