Hugues Cuénod, Joel Cohen's 'What If I Never Speed' came out on February 1, 2016. With What If I Never Speed being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Songs and Dances of John Dowland". In this album, this song's track order is #12. What If I Never Speed is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With What If I Never Speed by Hugues Cuénod, Joel Cohen having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, CPE: Magnificat in D Minor, Wq. 215: III. Quia fecit | Carl Philipp Emanuel Bach, Geraint Jones, Wilfred Brown, Geraint Jones Orchestra | D Major | 4 | 10B | 121 BPM | ||
Motetto de S. Joanne Baptista: III. Coro. Alleluia | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Stabat Mater, P. 77: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "Die Herrschaften stehen vom Tisch auf!" (Lackey, Music Master, Major-Domo, Primadonna, Dancing Master, Tenor, Zerbinetta, Composer) | Richard Strauss, Herbert von Karajan, Alfred Neugebauer, Elisabeth Schwarzkopf, Hugues Cuénod, Irmgard Seefried, Karl Dönch, Otakar Kraus, Rita Streich, Rudolf Schock, Philharmonia Orchestra | G Major | 1 | 9B | 105 BPM | ||
Requiem in C Minor, MH 559: Dies irae: Oro supplex | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | A♭ Major | 0 | 4B | 76 BPM | ||
St. John Passion, BWV 245: No. 12a, Und Hannas sandte ihn gebunden zu dem Hohenpriester Kaiphas (Remastered 2024) - Live | Johann Sebastian Bach, Pablo Casals, The Prades Festival Orchestra, Hugues Cuénod | D Major | 3 | 10B | 114 BPM | ||
Christus am Ölberge, Op. 85: VII. Recitative. Verkündet, Seraph, mir dein Mund Erbarmen | Ludwig van Beethoven, Orchestre des Champs-Élysées, Philippe Herreweghe, Sebastian Kohlhepp, Eleanor Lyons | C Major | 3 | 8B | 104 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 21. Recitativ, "Wie sieht dein Haar" (Zion) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Miriam Feuersinger | A♭ Minor | 2 | 1A | 96 BPM | ||
Cantata for Soprano, Tenor, Female Chorus and a Small Instrumental Ensemble: Westron Wind | Igor Stravinsky, Jennie Tourel, Hugues Cuénod | G Minor | 4 | 6A | 69 BPM | ||
Misatango, Misa a Buenos Aires: V. Quoniam tu solus sanctus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Major | 3 | 8B | 89 BPM |
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