Johann Sebastian Bach, Pablo Casals, The Prades Festival Orchestra, Hugues Cuénod's 'St. John Passion, BWV 245: No. 12a, Und Hannas sandte ihn gebunden zu dem Hohenpriester Kaiphas (Remastered 2024) - Live' came out on March 1, 2024. With St. John Passion, BWV 245: No. 12a, Und Hannas sandte ihn gebunden zu dem Hohenpriester Kaiphas (Remastered 2024) - Live being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Johann Sebastian Bach, Pablo Casals, The Prades Festival Orchestra, Hugues Cuénod, Doda Conrad's "J.S. Bach: St. John Passion, BWV 245 (Remastered 2024) [Live]" album is number 11 out of 41. On top of that, United States appears to be the country where this track was created. In terms of popularity, St. John Passion, BWV 245: No. 12a, Und Hannas sandte ihn gebunden zu dem Hohenpriester Kaiphas (Remastered 2024) - Live is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of St. John Passion, BWV 245: No. 12a, Und Hannas sandte ihn gebunden zu dem Hohenpriester Kaiphas (Remastered 2024) - Live by Johann Sebastian Bach, Pablo Casals, The Prades Festival Orchestra, Hugues Cuénod to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": V. Andante "Ich harrete des Herrn" | Felix Mendelssohn, Christiane Karg, Maria Bernius, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | F Major | 4 | 7B | 84 BPM | ||
Les fêtes d'Hébé, RCT 41, Act I Scene 5: Revenez, tendre amant, embellissez ces lieux | Jean-Philippe Rameau, Lóránt Najbauer, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 0 | 5B | 99 BPM | ||
Ino, TWV 20:41: Ino, TWV 20:41: No. 3b, Recitativo "Wo bin ich? O Himmel!" | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Christina Landshamer, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Das Sühnopfer des neuen Bundes, Pt. 1: No. 1, Wo find' ich ihn, der meiner Augen Licht | Carl Loewe, Monika Mauch, Ulrike Malotta, Georg Poplutz, Andreas Burkhart, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper | E Major | 0 | 12B | 73 BPM | ||
VI. Drum fahrt nur immer hin, ihr Eitelkeiten (Choral) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln, Erika Tandiono, Sofia Pavone, Daniel Johannsen, Tobias Berndt | A♭ Major | 2 | 4B | 92 BPM | ||
Missa Paschalis, ZWV 7: Gloria. Amen | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 3 | 3B | 90 BPM | ||
Dich rühmen die Welten, TVWV 1:329: VI. 06 6. Choral: Mitten wir im Leben sind | Georg Philipp Telemann, Solomon's Knot, Jonathan Sells, Les Passions de l’Âme, Meret Lüthi | B♭ Minor | 1 | 3A | 178 BPM | ||
Missa in D-Dur, KV194: Kyrie | Chor und Orchester von St. Augustin, Alexander Kaimbacher, Klemens Sander, Cornelia Horak, Martina Steffl, Andreas Pixner | D Major | 2 | 10B | 91 BPM | ||
Paulus, Op.36, MWV A14 / Part 1: No.16 Choral: "Wachet auf! ruft uns die Stimme" | Felix Mendelssohn, MDR Leipzig Radio Chorus, GewandhausKinderchor, Gewandhausorchester, Kurt Masur | D Major | 2 | 10B | 94 BPM | ||
Matthäus-Passion: Erster Teil, 27a. Aria a doi Cori (Sopran, Alt) So ist mein Jesus nun gefangen 27b. Chorus I & II Sind Blitze, sind Donner in Wolken verschwunden | Johann Sebastian Bach, Sunhae Im, Bernarda Fink, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 103 BPM |
Section: 0.605262279510498
End: 0.6096274852752686