Richard Strauss, Herbert von Karajan, Alfred Neugebauer, Elisabeth Schwarzkopf, Hugues Cuénod, Irmgard Seefried, Karl Dönch, Otakar Kraus, Rita Streich, Rudolf Schock, Philharmonia Orchestra made "Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "Die Herrschaften stehen vom Tisch auf!" (Lackey, Music Master, Major-Domo, Primadonna, Dancing Master, Tenor, Zerbinetta, Composer)" available on 1955. With this song being about 5 minutes long, at 4:48, "Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "Die Herrschaften stehen vom Tisch auf!" (Lackey, Music Master, Major-Domo, Primadonna, Dancing Master, Tenor, Zerbinetta, Composer)" by Richard Strauss, Herbert von Karajan, Alfred Neugebauer, Elisabeth Schwarzkopf, Hugues Cuénod, Irmgard Seefried, Karl Dönch, Otakar Kraus, Rita Streich, Rudolf Schock, Philharmonia Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 27 in the song's album "R. Strauss: Ariadne auf Naxos". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "Die Herrschaften stehen vom Tisch auf!" (Lackey, Music Master, Major-Domo, Primadonna, Dancing Master, Tenor, Zerbinetta, Composer) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Strauss, R: Ariadne auf Naxos, Op. 60, Prologue: "Die Herrschaften stehen vom Tisch auf!" (Lackey, Music Master, Major-Domo, Primadonna, Dancing Master, Tenor, Zerbinetta, Composer) by Richard Strauss, Herbert von Karajan, Alfred Neugebauer, Elisabeth Schwarzkopf, Hugues Cuénod, Irmgard Seefried, Karl Dönch, Otakar Kraus, Rita Streich, Rudolf Schock, Philharmonia Orchestra having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM | ||
L'Arlésienne Suite No.1: Carillon | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 65 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) | Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Introduction | Igor Stravinsky, Teodor Currentzis, musicAeterna | B Minor | 0 | 10A | 87 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Symphony No. 41 in C Major, K. 551 "Jupiter": 4. Molto allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | G Major | 2 | 9B | 141 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM |
Section: 0.8897416591644287
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