"Seasons in Hell: Act II: J'ai vu le soleil bas" by Harold Blumenfeld, College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui, Gerhard Samuel was released on October 1, 1997. With Seasons in Hell: Act II: J'ai vu le soleil bas being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Seasons in Hell". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Seasons in Hell: Act II: J'ai vu le soleil bas is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seasons in Hell: Act II: J'ai vu le soleil bas by Harold Blumenfeld, College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui, Gerhard Samuel having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Voyages after Hart Crane: And yet this great wink of eternity | Harold Blumenfeld, Voices Of Change, Patrick Mason, Arthur Weisberg | F Minor | 1 | 4A | 81 BPM | ||
Victorius Titus - Vocal | Cesare Andrea Bixio, Elliot Goldenthal, Steven Mercurio, Jonathan Sheffer, London Metropolitan Orchestra, The Mask Orchestra | E Minor | 3 | 9A | 78 BPM | ||
The Planets, Op. 32: 7. Neptune, the Mystic | Gustav Holst, Le Choeur des Femmes de L'Orchestre de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 0 | 12B | 78 BPM | ||
Tristan und Isolde / Act 3: (Man hört einen Hirtenreigen/The Sound Of A Shepherd's Pipe Is Heard/On entend une mélodie de berger) | Richard Wagner, Staatskapelle Dresden, Carlos Kleiber | D♭ Major | 0 | 3B | 139 BPM | ||
Black Angels (13 Images from the Dark Land) Pt. 1 "Departure": No. 1, Threnody I [Night of the Electric Insects] | George Crumb, Miró Quartet | G Major | 4 | 9B | 105 BPM | ||
Act 1: XIX. Balcony Scene | Sergei Prokofiev, Vasily Petrenko, Oslo Philharmonic Orchestra | D♭ Major | 0 | 3B | 82 BPM | ||
Dr. Merryheart: VI. Variation 5: Merryheart Fights A Dragon (Merryheart kampft mit dem Drache) | RTÉ National Symphony Orchestra, Havergal Brian | F Minor | 0 | 4A | 85 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Ecos de Eternidad: I Saludos II | Jan Sandström, Christian Lindberg, Pedro Carrero, Símon Bolívar Symphony Orchestra | G Major | 1 | 9B | 175 BPM | ||
La nativité du Seigneur: 7. Jésus accepte la souffrance | Olivier Messiaen, Olivier Latry | F Major | 0 | 7B | 85 BPM |
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