"The Planets, Op. 32: 7. Neptune, the Mystic" by Gustav Holst, Le Choeur des Femmes de L'Orchestre de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit was released on January 1, 1987. Since The Planets, Op. 32: 7. Neptune, the Mystic is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Holst, Female Chorus Of The Montreal Symphony O, Orchestre Symphonique de Montréal, Charles Dutoit's "Holst: The Planets" album is number 7 out of 7. The Planets, Op. 32: 7. Neptune, the Mystic is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Planets, Op. 32: 7. Neptune, the Mystic by Gustav Holst, Le Choeur des Femmes de L'Orchestre de Montréal, Orchestre Symphonique de Montréal, Charles Dutoit to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rodeo: 4 Dance Episodes: No. 4. Hoe-Down | Aaron Copland, Buffalo Philharmonic Orchestra | G Major | 3 | 9B | 125 BPM | ||
Symphony No. 2, Op. 30, "Romantic": II. Andante con tenerezza | Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz | D Minor | 1 | 7A | 73 BPM | ||
Fantasia (completed by K. Russman) | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | F Major | 1 | 7B | 82 BPM | ||
Daphnis et Chloé, M. 57 / Troisième partie: Lever du jour | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | E Minor | 0 | 9A | 79 BPM | ||
La Mer, L.109: 3. Dialogue Of The Wind And The Sea | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 2 | 3B | 83 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Das Rheingold: Scene I: Vorspiel | Richard Wagner, Wolfgang Probst, Motti Kaston, Bernhard Schneider, Robert Kunzli, Michaela Schuster, Helga Ros Indridadottir, Mette Ejsing, Esa Ruuttunen, Eberhard Francesco Lorenz, Roland Bracht, Phillip Ens, Catriona Smith, Maria Theresa Ullrich, Margarete Joswig, Stuttgart State Opera Orchestra, Lothar Zagrosek | E♭ Major | 0 | 5B | 178 BPM | ||
A Quiet Place - Ed. Sunderland / Act 1: Trio “Dear Daddy, Daddy dear” | Leonard Bernstein, Gordon Bintner, Claudia Boyle, Joseph Kaiser, Orchestre Symphonique de Montréal, Kent Nagano | A♭ Major | 1 | 4B | 82 BPM | ||
Harold en Italie, Op. 16: 4. Orgie de brigands (Allegro frenetico - Adagio - Allegro, Tempo I) | Hector Berlioz, Pinchas Zukerman, Orchestre Symphonique de Montréal, Charles Dutoit | G Minor | 2 | 6A | 104 BPM | ||
Elegy for Solo Viola, String Quartet and String Orchestra, Op. 15: Quasi Lento, teneramente | Herbert Howells, Richard Hickox, City of London Sinfonia, Andrew Watkinson, Edward Roberts, Matthew Souter, Shuna Wilson | C Minor | 0 | 5A | 90 BPM |
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