- BPM
- 104
- Key
- G Minor
- Camelot
- 6A
Harold en Italie, Op. 16: 4. Orgie de brigands (Allegro frenetico - Adagio - Allegro, Tempo I) - Hector Berlioz, Pinchas Zukerman, Orchestre Symphonique de Montréal, Charles Dutoit Information
- Acousticness
- 88%
- Danceability
- 28%
- Energy
- 19%
- Instrumentalness
- 67%
- Liveness
- 4%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 8%
- Popularity
- 5%
- Loudness
- -19.811 dB
Summary
"Harold en Italie, Op. 16: 4. Orgie de brigands (Allegro frenetico - Adagio - Allegro, Tempo I)" by Hector Berlioz, Pinchas Zukerman, Orchestre Symphonique de Montréal, Charles Dutoit was released on June 14, 1988. Harold en Italie, Op. 16: 4. Orgie de brigands (Allegro frenetico - Adagio - Allegro, Tempo I) appears to be safe for all ages as it is not explicit. The song is number 4 out of 6 in Berlioz: Harold in Italy etc by Hector Berlioz, Pinchas Zukerman, Orchestre Symphonique de Montréal, Charles Dutoit. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Harold en Italie, Op. 16: 4. Orgie de brigands (Allegro frenetico - Adagio - Allegro, Tempo I) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Harold en Italie, Op. 16: 4. Orgie de brigands (Allegro frenetico - Adagio - Allegro, Tempo I) BPM
The tempo marking of Harold en Italie, Op. 16: 4. Orgie de brigands (Allegro frenetico - Adagio - Allegro, Tempo I) by Hector Berlioz, Pinchas Zukerman, Orchestre Symphonique de Montréal, Charles Dutoit is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Harold en Italie, Op. 16: 4. Orgie de brigands (Allegro frenetico - Adagio - Allegro, Tempo I) Key
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | |
 | Serenade for strings in E Minor, Op. 20 | Edward Elgar, Academy of St. Martin in the Fields, Sir Neville Marriner | E Minor | 1 | 9A | 81 BPM | |
 | The Crown Of India: March Of The Mogul Emperors | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 4 | 10A | 90 BPM | |
 | Berlioz: Les Troyens, Op. 29, H. 133, Act 3: "J'ose à peine annoncer la terrible nouvelle !" (Narbal, Didon, Chorus) | Hector Berlioz, John Nelson, Joyce DiDonato, Nicolas Courjal, Orchestre Philharmonique De Strasbourg | F♯ Major | 3 | 2B | 144 BPM | |
 | Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | |
 | Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": III. Andante | Felix Mendelssohn, RTÉ National Symphony Orchestra, Reinhard Seifried | G Minor | 0 | 6A | 96 BPM | |
 | Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien | D Major | 3 | 10B | 169 BPM | |
![Berlioz: La damnation de Faust: Ballet des sylphes [Dance of the Sylphs] - Part Two by Nicolai Gedda, Marilyn Horne, Roger Soyer, Dimiter Petkov, Orchestra and Chorus of the Rome Opera](https://i.scdn.co/image/ab67616d00001e02d9604a700e30ce895354c16e) | Berlioz: La damnation de Faust: Ballet des sylphes [Dance of the Sylphs] - Part Two | Nicolai Gedda, Marilyn Horne, Roger Soyer, Dimiter Petkov, Orchestra and Chorus of the Rome Opera | D Major | 0 | 10B | 140 BPM | |
 | Parsifal Wagner - Good Friday Spell | Gerard Schwarz | D Major | 0 | 10B | 75 BPM | |
| Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM |
- ISRC
- GBF078710274
- Label
- L-M Records/RCA Records
Section: 0.877948522567749
End: 0.881702184677124