"Piano Concerto No. 1 in F-Sharp Minor, Op. 1" by Mily Balakirev, David Lloyd-Jones, Malcolm Binns, The Orchestra Of Opera North was released on March 1, 1993. Piano Concerto No. 1 in F-Sharp Minor, Op. 1 appears to be safe for all ages as it is not explicit. The song is number 4 out of 7 in Balakirev & Rimsky-Korsakov: Piano Concertos (Hyperion Romantic Piano Concerto 5) by The Orchestra Of Opera North, Nikolai Rimsky-Korsakov, Malcolm Binns, Mily Balakirev, David Lloyd-Jones, Sergei Lyapunov. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Piano Concerto No. 1 in F-Sharp Minor, Op. 1 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 1 in F-Sharp Minor, Op. 1 by Mily Balakirev, David Lloyd-Jones, Malcolm Binns, The Orchestra Of Opera North is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prélude, Choral et Fugue, FWV 21: Prélude. Moderato | César Franck, Nikolai Lugansky | G Major | 0 | 9B | 68 BPM | ||
Suite on pieces by Chopin: Intermezzo (Nocturne) | Mily Balakirev, Singapore Symphony Orchestra, Hoey Choo | D Minor | 0 | 7A | 54 BPM | ||
2 Tales, Op. 20: No. 1, Allegro con espressione | Nikolai Medtner, Yevgeny Sudbin | B♭ Minor | 2 | 3A | 122 BPM | ||
Keyboard Sonata in E Major, Kk. 135 (L. 224): Allegro | Domenico Scarlatti, Ivo Pogorelich | E Major | 1 | 12B | 181 BPM | ||
Piano Concerto No.1 In F Sharp Minor, Op.1: 2. Andante | Sergei Rachmaninoff, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | G Major | 0 | 9B | 107 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Années de pèlerinage: 1e année: Suisse, S.160: 2. Au lac de Wallenstadt | Franz Liszt, Nelson Freire | A♭ Major | 0 | 4B | 65 BPM | ||
6 Moments musicaux, Op. 94, D. 780: No. 3 Allegro moderato | Lang Lang | F Minor | 1 | 4A | 128 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM |
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