"2 Tales, Op. 20: No. 1, Allegro con espressione" by Nikolai Medtner, Yevgeny Sudbin had its release date on February 5, 2016. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. 2 Tales, Op. 20: No. 1, Allegro con espressione's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Yevgeny Sudbin's "Medtner & Rachmaninoff: Piano Works" album is number 4 out of 13. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, 2 Tales, Op. 20: No. 1, Allegro con espressione's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 2 Tales, Op. 20: No. 1, Allegro con espressione by Nikolai Medtner, Yevgeny Sudbin to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 2 in B-Flat Minor, Op. 35: I. Grave - Doppio movimento | Frédéric Chopin, Mitsuko Uchida | B♭ Minor | 1 | 3A | 129 BPM | ||
Etudes for Piano, Op. 740: No. 50 in G Minor | Carl Czerny, Irina Smorodinova | F♯ Minor | 0 | 11A | 92 BPM | ||
Songs Without Words: No. 2, Andante cantabile | Alexei Stanchinsky, Olga Solovieva | D Minor | 0 | 7A | 128 BPM | ||
Danses suédoises, Op. 63: XIV. Gehend, ruhig bewegt | Max Bruch, Dana Ciocarlie, Christiane Baume-Sanglard | A Minor | 1 | 8A | 94 BPM | ||
II. February. Shrovetide Festival | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | D Major | 2 | 10B | 54 BPM | ||
Sonata Triad, Op. 11: No. 1 in A-Flat Major | Nikolai Medtner, Geoffrey Tozer | A Major | 1 | 11B | 101 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Forgotten Melodies I, Op. 38: II. Danza graziosa. Con moto leggiero | Nikolai Medtner, Marc-André Hamelin | A Major | 0 | 11B | 63 BPM |