"II. February. Shrovetide Festival" by Pyotr Ilyich Tchaikovsky, Mikhail Pletnev was released on 2004. The duration of II. February. Shrovetide Festival is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. II. February. Shrovetide Festival's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Tchaikovsky: The Seasons". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. II. February. Shrovetide Festival is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With II. February. Shrovetide Festival by Pyotr Ilyich Tchaikovsky, Mikhail Pletnev having a BPM of 54 with a half-time of 27 BPM and a double-time of 108 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romance in F Minor, Op. 11, B. 38 (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | B♭ Minor | 0 | 3A | 209 BPM | ||
I. January. By the Fireside | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | B Minor | 1 | 10A | 103 BPM | ||
Pour bercer un convalescent for Two Pianos: III. Andantino espressivo | Reynaldo Hahn, Tal & Groethuysen | A Major | 0 | 11B | 56 BPM | ||
Valses nobles et sentimentales, M. 61: VII. Moins vif | Maurice Ravel, Arcadi Volodos | A Major | 1 | 11B | 74 BPM | ||
8 Humoresques, Op. 101, B. 187: No. 4. Poco andante in F Major | Antonín Dvořák, Stefan Veselka | F Major | 1 | 7B | 81 BPM | ||
Impromptu in A-flat Major, Op. 90, No. 4 (D899); Allegretto | Vladimir Horowitz | A♭ Major | 1 | 4B | 71 BPM | ||
España, Op. 165: 2. Tango | Isaac Albéniz, Alicia de Larrocha | D Major | 0 | 10B | 133 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 7 in A Major | Alexander Scriabin, Mikhail Pletnev | A Major | 1 | 11B | 71 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Act 1: 6. Valse | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | B♭ Major | 2 | 6B | 102 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcato | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | C Major | 1 | 8B | 99 BPM |
Section: 0.6493661403656006
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