Jean-Philippe Rameau, Les Ambassadeurs, Alexis Kossenko made "Rameau: Pygmalion: Ouverture" available on October 28, 2013. The duration of Rameau: Pygmalion: Ouverture is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Rameau: Pygmalion: Ouverture's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Rameau: Le Grand Théâtre de l'amour". In this album, this song's track order is #3. Based on our statistics, Rameau: Pygmalion: Ouverture's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Rameau: Pygmalion: Ouverture by Jean-Philippe Rameau, Les Ambassadeurs, Alexis Kossenko having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 42 BPM | ||
Les tendres plaintes | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 110 BPM | ||
Bagatellen: III | Valentin Silvestrov | C Major | 0 | 8B | 72 BPM | ||
L'entretien des Muses | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 177 BPM | ||
El cant dels ocells (Song of the Birds) (version for cello and orchestra) | Pablo Casals, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | A Minor | 0 | 8A | 89 BPM | ||
Die Zauberflöte, K. 620: Ach, ich fühl's, es ist verschwunden (Arr. Spindler for Oboe and Piano) | Wolfgang Amadeus Mozart, Albrecht Mayer, Fabian Müller | C Minor | 5 | 5A | 117 BPM | ||
15 Pieces, Op. 3: Prelude | Gabriel Pierné, Hae Won Chang | C Minor | 0 | 5A | 83 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 120 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM |
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