"Trois chansons de Charles d'Orléans, L.62: 1. Dieu! qu'il a fait bon regarder!" by Claude Debussy, The Monteverdi Choir, John Eliot Gardiner was released on January 1, 1994. The duration of Trois chansons de Charles d'Orléans, L.62: 1. Dieu! qu'il a fait bon regarder! is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Trois chansons de Charles d'Orléans, L.62: 1. Dieu! qu'il a fait bon regarder!'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 18 in Fauré: Requiem / Debussy: Trois chansons de Charles d'Orléans / Saint-Saëns: Calme des nuits by The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner. Trois chansons de Charles d'Orléans, L.62: 1. Dieu! qu'il a fait bon regarder! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Trois chansons de Charles d'Orléans, L.62: 1. Dieu! qu'il a fait bon regarder! by Claude Debussy, The Monteverdi Choir, John Eliot Gardiner is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dichterliebe, Op. 48: 1. Im wunderschönen Monat Mai | Robert Schumann, Fritz Wunderlich, Hubert Giesen | B Minor | 0 | 10A | 74 BPM | ||
Mass in B Minor, BWV 232: Agnus Dei (Alto) | Johann Sebastian Bach, Meg Bragle, English Baroque Soloists, John Eliot Gardiner | E♭ Major | 1 | 5B | 126 BPM | ||
Vespers, Op. 37: O Serene Light | Sergei Rachmaninoff, Mykhaylo Tyshchenko, Yuri Korinnyk, National Choir Of The Ukraine "Dumka", Yevhen Savchuk, Olga Borusene | D Major | 0 | 10B | 104 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
Gloria: Qui tollis peccata mundi | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 2 | 6B | 96 BPM | ||
Morgen, Op. 27, No. 4 | Richard Strauss, Barbara Bonney, Malcolm Martineau | G Major | 0 | 9B | 168 BPM | ||
Vespers, Op. 37: Bless The Lord, O My Soul | Yevhen Savchuk, Sergei Rachmaninoff, Olga Borusene, National Choir Of The Ukraine "Dumka", Mykhaylo Tyshchenko, Yuri Korinnyk | D♭ Major | 2 | 3B | 83 BPM | ||
If Music Be The Food Of Love | Alfred Deller | D Minor | 1 | 7A | 129 BPM | ||
Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 122 BPM | ||
När natten skänker frid | Karin Rehnqvist, Stockholms Musikgymnasium Chamber Choir, Helene Stureborg | D Minor | 0 | 7A | 139 BPM |
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