"Aufstieg und Fall der Stadt Mahagonny: Sieh jene Kraniche (Kraniche-Duett)" by Kurt Weill, Wilhelm Brückner-Rüggeberg, Norddeutsches Radio Orchester had its release date on 1958. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 38 in the song's album "Rise and Fall of the City of Mahagonny". In this album, this song's track order is #4. The popularity of Aufstieg und Fall der Stadt Mahagonny: Sieh jene Kraniche (Kraniche-Duett) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aufstieg und Fall der Stadt Mahagonny: Sieh jene Kraniche (Kraniche-Duett) by Kurt Weill, Wilhelm Brückner-Rüggeberg, Norddeutsches Radio Orchester having a BPM of 164 with a half-time of 82 BPM and a double-time of 328 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zirkusprinzessin (The Circus Princess), Act I: Zwei Marchenaugen | Emmerich Kálmán, Maria Tiboldi, Marika Nemeth, Anna Zentai, Andrea Zsadon | C Major | 1 | 8B | 0 BPM | ||
Die Dreigroschenoper: Akt I, Die Moritat von Mackie Messer ("Und der Haifisch, der hat Zähne") | Kurt Weill, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg | G Major | 1 | 9B | 82 BPM | ||
Die tote Stadt: "Glück, das mir verblieb" | Erich Wolfgang Korngold, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | B♭ Major | 1 | 6B | 171 BPM | ||
Poulenc: Dialogues des Carmélites, FP 159, Act 3 Tableau 4: "Salve Regina" (La Foule, Les Carmélites) | Francis Poulenc, José van Dam, Kent Nagano, Orchestre De L'Opéra National De Lyon | G Minor | 1 | 6A | 89 BPM | ||
Youkali | Kurt Weill, Romain Leleu, Ensemble Convergences | D Minor | 1 | 7A | 81 BPM | ||
Theodora: Aria - As With Rosy Steps The Morn | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | B Major | 0 | 1B | 68 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Jazz Suite No.2: 7. Dance II | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | D Major | 1 | 10B | 84 BPM | ||
Wagner: Lohengrin, WWV 75: Prelude to Act 1 | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | D Minor | 1 | 7A | 144 BPM | ||
Ainadamar / Act 1: Mariana: 1. Balada | Osvaldo Golijov, Dawn Upshaw, Atlanta Symphony Orchestra, Robert Spano, Ladies of the Atlanta Symphony Chorus, Norman Mackenzie | B♭ Major | 5 | 6B | 116 BPM |