Kurt Weill, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg made "Die Dreigroschenoper: Akt I, Die Moritat von Mackie Messer ("Und der Haifisch, der hat Zähne")" available on 1958. The duration of Die Dreigroschenoper: Akt I, Die Moritat von Mackie Messer ("Und der Haifisch, der hat Zähne") is about 3 minutes long, at 3:10. Based on our data, "Die Dreigroschenoper: Akt I, Die Moritat von Mackie Messer ("Und der Haifisch, der hat Zähne")" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Weill: Die Dreigroschenoper by Kurt Weill, Lotte Lenya. The song's track number on the album is #2 out of 26 tracks. Die Dreigroschenoper: Akt I, Die Moritat von Mackie Messer ("Und der Haifisch, der hat Zähne") is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Die Dreigroschenoper: Akt I, Die Moritat von Mackie Messer ("Und der Haifisch, der hat Zähne") by Kurt Weill, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Dreigroschenoper: Akt I, Die Moritat von Mackie Messer ("Und der Haifisch, der hat Zähne") being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jawohl, meine Herr'n | Hans Albers | D♭ Major | 5 | 3B | 118 BPM | ||
Zum Wohl (Anatevka) | Chor und Orchester des Theaters an der Wien, Yossi Yadin, Ted Gärtner, Rudolf Walter-Wasserlof | A♭ Major | 7 | 4B | 79 BPM | ||
Der Morgenchoral des Peachum (1.Akt) (Jonathan Jer | Bertolt Brecht, Kurt Weill | G Minor | 2 | 6A | 76 BPM | ||
The Threepenny Opera: Moritat von Mackie Messer (Mack the Knife) | Kurt Weill, Lotte Lenya, Roger Bean | F♯ Minor | 5 | 11A | 152 BPM | ||
Kundschafterlied (1986) | Ensemble "Klassenbrüder - Waffenbrüder" Karl-Marx-Stadt | C Minor | 3 | 5A | 118 BPM | ||
Winterreise, D. 911: No. 24 Der Leiermann | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | G Minor | 0 | 6A | 74 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | C Minor | 0 | 5A | 77 BPM | ||
Hymne der DDR | Hanns Eisler, Berlin Rundfunk Symphonie Orchester, Rundfunkchor Berlin, Helmut Koch | F Major | 3 | 7B | 95 BPM | ||
Wölfe mitten im Mai | Franz Josef Degenhardt | D Minor | 1 | 7A | 135 BPM | ||
Winterreise, D. 911: No. 24, Der Leiermann | Franz Schubert, Thomas Quasthoff | F Minor | 0 | 4A | 91 BPM |
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