"Preludes in Quarter-Tone System: VIII" by Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher was released on 2006. The duration of Preludes in Quarter-Tone System: VIII is about 3 minutes long, at 3:12. Based on our data, "Preludes in Quarter-Tone System: VIII" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Quarter-Tone Pieces". In this album, this song's track order is #4. In terms of popularity, Preludes in Quarter-Tone System: VIII is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Preludes in Quarter-Tone System: VIII by Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Préludes dans l'échelle chromatique diatonisée à 13 sons, Op. 22: III. - En quarts de ton pour deux pianos | Ivan Wyschnegradsky, Sylvaine Billier, Martine Joste | B Major | 0 | 1B | 74 BPM | ||
3 Pieces for String Quartet: No. 2 | Igor Stravinsky, Goldner String Quartet | D Minor | 0 | 7A | 75 BPM | ||
Toccata In D Minor, Op. 11: Allegro Marcato | Eteri Andjaparidze, Sergei Prokofiev | E Minor | 1 | 9A | 109 BPM | ||
Tuning up | Edgard Varèse, Concertgebouworkest, Riccardo Chailly | A Major | 3 | 11B | 73 BPM | ||
Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Initiation II | Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois | F Major | 1 | 7B | 89 BPM | ||
Totentanz | Meredith Monk, Bruce Brubaker, Ursula Oppens | A♭ Major | 1 | 4B | 111 BPM | ||
Pictures at an Exhibition: VIIIb. Con mortuis in lingua mortua | Modest Mussorgsky, Robert Neumann | F♯ Major | 0 | 2B | 137 BPM | ||
Ainsi parlait Zarathoustra pour 4 pianos, Op. 17 (1930/1936): IV. Allegro con fuoco | Ivan Wyschnegradsky, Cyrille Guion, Martine Joste, Li Xie, Guanlan Xu, Léo margue | E Major | 1 | 12B | 133 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
9 Bagatelles: No. 5. La belle rouqine (USA) | William Bolcom, Joel Fan | D Major | 0 | 10B | 65 BPM |
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