"24 Préludes dans l'échelle chromatique diatonisée à 13 sons, Op. 22: III. - En quarts de ton pour deux pianos" by Ivan Wyschnegradsky, Sylvaine Billier, Martine Joste was released on January 1, 2000. The duration of 24 Préludes dans l'échelle chromatique diatonisée à 13 sons, Op. 22: III. - En quarts de ton pour deux pianos is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. 24 Préludes dans l'échelle chromatique diatonisée à 13 sons, Op. 22: III. - En quarts de ton pour deux pianos's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wyschnegradsky: Etude & 24 Préludes by Ivan Wyschnegradsky, Sylvaine Billier, Martine Joste. The song's track number on the album is #4 out of 25 tracks. 24 Préludes dans l'échelle chromatique diatonisée à 13 sons, Op. 22: III. - En quarts de ton pour deux pianos is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 24 Préludes dans l'échelle chromatique diatonisée à 13 sons, Op. 22: III. - En quarts de ton pour deux pianos by Ivan Wyschnegradsky, Sylvaine Billier, Martine Joste has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With 24 Préludes dans l'échelle chromatique diatonisée à 13 sons, Op. 22: III. - En quarts de ton pour deux pianos being at 74 BPM, the half-time would be 37 BPM with a double-time of 148 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preludes in Quarter-Tone System: IX | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | D Major | 2 | 10B | 136 BPM | ||
Las 4 Estaciones Porteñas (Arr. for Violin & String Orchestra by Leonid Desyatnikov): I. Verano Porteño | Astor Piazzolla, Tomás Cotik, Martingale Ensemble, Ken Selden | F Major | 3 | 7B | 141 BPM | ||
Étude sur le carré magique sonore, Op. 40 | Ivan Wyschnegradsky, Anna Zassimova | A Minor | 0 | 8A | 133 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | G Major | 0 | 9B | 78 BPM | ||
Risonanze: 3. Non troppo mosso | Gian Francesco Malipiero, Gianluca Cascioli | D Minor | 1 | 7A | 73 BPM | ||
Danzas Argentinas, Op. 2: No. 3, Danza del gaucho matrero | Alberto Ginastera, Luca Sacher | C Major | 3 | 8B | 81 BPM | ||
Nuages gris, S.199 | Franz Liszt, Krystian Zimerman | D Minor | 0 | 7A | 68 BPM | ||
Quartet No. 1 in D minor, Op. 4: 2. Allegro con fuoco | Joly Braga Santos, Quarteto Tejo | A Minor | 3 | 8A | 94 BPM | ||
Two Preludes for Piano, Op. 2 (1916): No. 2, Allegro irato | Ivan Wyschnegradsky, Mikhail Dubov | D Major | 3 | 10B | 127 BPM |
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