"Merope: "Quell'usignolo"" by Geminiano Giacomelli, Vivica Genaux, René Jacobs, Akademie für Alte Musik Berlin was released on 2002. Merope: "Quell'usignolo" appears to be safe for all ages as it is not explicit. The song is number 11 out of 11 in Arias for Farinelli by Vivica Genaux, Akademie für Alte Musik Berlin, René Jacobs. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Merope: "Quell'usignolo" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Merope: "Quell'usignolo" by Geminiano Giacomelli, Vivica Genaux, René Jacobs, Akademie für Alte Musik Berlin is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
La festa d'Imeneo: Vaghi amori, grazie amate (Ed. Sanderson) | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | G Major | 1 | 9B | 100 BPM | ||
Requiem, Op. 48 (version pour grand orchestre): Agnus Dei | Gabriel Fauré, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale, Joseph Moor | D Minor | 0 | 7A | 143 BPM | ||
Bach, CPE: Cello Concerto in A Major, Wq. 172: III. Allegro assai (Cadenza by Mørk) | Carl Philipp Emanuel Bach, Truls Mørk, Bernard Labadie, Les Violins du Roy | D♭ Minor | 3 | 12A | 109 BPM | ||
Maddalena ai piedi di Cristo: No. 10 Aria Maddalena "In un bivio è il mio volere" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | A♭ Major | 1 | 4B | 68 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 123 BPM | ||
La Sonnerie de Sainte-Geneviève du mont de Paris | Marin Marais, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 2 | 1A | 119 BPM | ||
Bist du bei mir, BWV 508 | Gottfried Heinrich Stölzel, Karina Gauvin, Luc Beauséjour | D Major | 1 | 10B | 66 BPM | ||
Fago: Il Faraone sommerso: "Alla gente a Dio diletta" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 92 BPM | ||
Hasse: Sanctus Petrus et Sancta Maria Magdalena: "Mea tormenta, properate!" | Johann Adolf Hasse, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D Major | 3 | 10B | 75 BPM |
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