"Turangalîla-Symphonie: I. Introduction" by Olivier Messiaen, Angela Hewitt, Valerie Hartmann-Claverie, Radion sinfoniaorkester, Hannu Lintu was released on June 3, 2014. Since Turangalîla-Symphonie: I. Introduction is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Olivier Messiaen, Angela Hewitt, Valerie Hartmann-Claverie, Finnish Radio Symphony Orchestra, Hannu Lintu's "Messiaen: Turangalîla-Symphonie" album is number 1 out of 10. Based on our statistics, Turangalîla-Symphonie: I. Introduction's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Turangalîla-Symphonie: I. Introduction by Olivier Messiaen, Angela Hewitt, Valerie Hartmann-Claverie, Radion sinfoniaorkester, Hannu Lintu to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Piano Pieces, Op.119: 1. Intermezzo In B Minor | Johannes Brahms, Radu Lupu | B Minor | 0 | 10A | 69 BPM | ||
Violin Concerto - 'To the Memory of an Angel': Violin Concerto - 'To the Memory of an Angel': I. Andante - Allegretto | Alban Berg, Isabelle Faust, Claudio Abbado, Orchestra Mozart | D Minor | 2 | 7A | 106 BPM | ||
Phantasy Quintet: I. Prelude | Ralph Vaughan Williams, Medici String Quartet, Simon Rowland-Jones | F Major | 0 | 7B | 86 BPM | ||
Six Pieces For Orchestra, Op. 6 - Original Version (1909): I. Etwas bewegt | Anton Webern, Berliner Philharmoniker, Pierre Boulez | B Major | 0 | 1B | 167 BPM | ||
Poèmes pour Mi, Premier Livre: No. 1, Action de grâces | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | A Major | 2 | 11B | 80 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): The Little Shepherd | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D Major | 0 | 10B | 78 BPM | ||
Violin Sonata (version for clarinet and piano): II. Lento | Emma Johnson | E♭ Major | 0 | 5B | 73 BPM | ||
Messiaen: Turangalîla-Symphonie: VIII. Développement de l'amour | Olivier Messiaen, Kent Nagano, Dominique Kim, Pierre-Laurent Aimard, Berliner Philharmoniker | F♯ Major | 3 | 2B | 97 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Minor | 0 | 3A | 82 BPM | ||
Must the Devil Have All the Good Tunes?: II. Much Slower; Gently, Relaxed | John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | F Major | 1 | 7B | 60 BPM |
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