On October 1, 2005, the song "Three Years" was released by Nikita Bogoslovsky, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra. The duration of Three Years is about 3 minutes long, at 3:21. Based on our data, "Three Years" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Dmitri Hvorostovsky's "Moscow Nights" album is number 7 out of 17. On top of that, United States appears to be the country where this track was created. Based on our statistics, Three Years's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Three Years by Nikita Bogoslovsky, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Io so che alle sue pene (Suzuki/Sharpless/Pinkerton) | Giacomo Puccini, Anna Di Stasio, Carlo Bergonzi, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 0 | 6B | 132 BPM | ||
Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | ||
Where Does Motherland Come From? | Veniamin Basner, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra | C Major | 4 | 8B | 170 BPM | ||
L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 87 BPM | ||
12 Songs, Op. 14: No. 4. Ya bil u ney (I was with her) | Sergei Rachmaninoff, Dmitri Hvorostovsky, Ivari Ilja | F Minor | 1 | 4A | 126 BPM | ||
Gounod: Faust, Act 2: "Le veau d'or est toujours debout" (Méphistophélès, Chorus) | Charles Gounod, André Cluytens, Boris Christoff, Orchestre du Théâtre National de l'Opéra de Paris | B Minor | 7 | 10A | 141 BPM | ||
Madama Butterfly / Act 2: E questo? E questo? | Giacomo Puccini, Mirella Freni, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 171 BPM | ||
Pagliacci / Act 1: "Sei là" - "So ben che difforme" - "Oh! lasciami" | Ruggero Leoncavallo, Mirella Freni, Ingvar Wixell, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 2 | 12B | 127 BPM |
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