Veniamin Basner, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra's 'Where Does Motherland Come From?' came out on October 1, 2005. The duration of Where Does Motherland Come From? is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Where Does Motherland Come From?'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Dmitri Hvorostovsky's "Moscow Nights" album is number 15 out of 17. The popularity of Where Does Motherland Come From? is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Where Does Motherland Come From? by Veniamin Basner, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus / Act 2: "Dieser Anstand, so manierlich" | Johann Strauss II, Julia Varady, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 173 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Die Entführung aus dem Serail, K.384 / Act 2: "Traurigkeit ward mir zum Lose" | Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | G Minor | 0 | 6A | 56 BPM | ||
Les Pêcheurs de perles: Act I: Sur la grève en feu (Fishermen, Villagers) | Georges Bizet, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | C Major | 3 | 8B | 178 BPM | ||
Les Contes d'Hoffmann / Prologue: Allons, allons mes enfants! Préparez cette salle | Jacques Offenbach, Pedro Di Proenza, Paul Guigue, Roland Jacques, Choeur de la Radio Suisse Romande, Pro Arte Choir, Lausanne, Choeur Du Brassus, L'Orchestre de la Suisse Romande, Richard Bonynge | C Major | 3 | 8B | 136 BPM | ||
Where Does Motherland Come From? | Veniamin Basner, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra | C Major | 4 | 8B | 170 BPM | ||
Forkladd gud, Op. 24: Vad faller over traden for silverglans | Lars-Erik Larsson, Elisabeth Söderström, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg | B Minor | 2 | 10A | 89 BPM | ||
La fanciulla del West: Ch'ella mi creda | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | F Major | 6 | 7B | 103 BPM | ||
Madama Butterfly / Act 1: Gran ventura | Giacomo Puccini, Mirella Freni, Michel Sénéchal, Luciano Pavarotti, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 139 BPM | ||
Götterdämmerung, WWV 86D / Act 3: Fliegt heim, ihr Raben! | Richard Wagner, Birgit Nilsson, Gottlob Frick, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 95 BPM |
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