- BPM
- 56
- Key
- G Minor
- Camelot
- 6A
Die Entführung aus dem Serail, K.384 / Act 2: "Traurigkeit ward mir zum Lose" - Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine Information
- Acousticness
- 99%
- Danceability
- 17%
- Energy
- 3%
- Instrumentalness
- 13%
- Liveness
- 11%
- Loudness
- 56%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 13%
- Loudness
- -26.446 dB
Summary
"Die Entführung aus dem Serail, K.384 / Act 2: "Traurigkeit ward mir zum Lose"" by Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine was released on January 1, 1997. Since Die Entführung aus dem Serail, K.384 / Act 2: "Traurigkeit ward mir zum Lose" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Metropolitan Opera Orchestra, James Levine's "Mozart: Opera Arias" album is number 3 out of 13. Die Entführung aus dem Serail, K.384 / Act 2: "Traurigkeit ward mir zum Lose" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die Entführung aus dem Serail, K.384 / Act 2: "Traurigkeit ward mir zum Lose" BPM
We consider the tempo marking of Die Entführung aus dem Serail, K.384 / Act 2: "Traurigkeit ward mir zum Lose" by Wolfgang Amadeus Mozart, Kathleen Battle, Metropolitan Opera Orchestra, James Levine to be Lento (slowly) because the track has a tempo of 56 BPM, a half-time of 28BPM, and a double-time of 112 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Die Entführung aus dem Serail, K.384 / Act 2: "Traurigkeit ward mir zum Lose" Key
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Eugene Onegin, Op. 24, TH 5 / Act III: (Scene 2) Closing Scene. "O! Kak mnye tyazhelo!" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | |
 | Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | |
 | La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | |
 | Parsifal / Act 2: "Komm, holder Knabe!" | Richard Wagner, Heidi Grant Murphy, Kaaren Erickson, Korliss Uecker, Joyce Guyer, Jane Bunnell, Wendy White, Plácido Domingo, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A♭ Major | 1 | 4B | 118 BPM | |
 | Donde lieta uscì al tuo grido d'amore (Mimì) - 1997 Remastered Version | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D♭ Major | 1 | 3B | 93 BPM | |
 | Cublai, gran Khan dei Tartari: Fra i barbari sospetti (Alzima) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | G Major | 2 | 9B | 128 BPM | |
 | La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | |
 | Carmina Burana / 2. In Taberna: "Olim lacus colueram" | Carl Orff, Philip Creech, Chicago Symphony Orchestra, James Levine, Chicago Symphony Chorus | D Major | 2 | 10B | 81 BPM | |
 | Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | |
 | Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Act I No. 2: Duettino - Se a caso madama la notte ti chiama | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | B♭ Major | 1 | 6B | 120 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7406260967254639
End: 0.7466950416564941