Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset made "Le Pouvoir de l'Amour, Première entrée Scène 7: Mouvement de passacaille" available on May 5, 2023. The duration of Le Pouvoir de l'Amour, Première entrée Scène 7: Mouvement de passacaille is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Le Pouvoir de l'Amour, Première entrée Scène 7: Mouvement de passacaille's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Pancrace Royer: Surprising Royer, Orchestral Suites". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Based on our statistics, Le Pouvoir de l'Amour, Première entrée Scène 7: Mouvement de passacaille's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Le Pouvoir de l'Amour, Première entrée Scène 7: Mouvement de passacaille by Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Second livre de pièces de clavecin, Ordre VI: No. 5, Les baricades mistérieuses | François Couperin, Blandine Verlet | A Major | 3 | 11B | 86 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Suite in D Minor, HWV 447: Courante | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 142 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: III. Sarabande | Robert de Visée, Jean Rondeau | D♭ Minor | 1 | 12A | 0 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Pièces de clavecin, Livre IV: L’Amphibie. Mouvement de passacaille | François Couperin, Skip Sempé, Olivier Fortin | F♯ Major | 1 | 2B | 118 BPM | ||
Royer: Pièces de clavecin, Book 1 (1746): No. 2 La Zaïde - Rondeau | Joseph-Nicolas-Pancrace Royer, Jean Rondeau | C Major | 2 | 8B | 94 BPM |
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