Gioachino Rossini, Juan Diego Flórez, Avi Avital, Filarmonica Gioachino Rossini, Carlo Tenan made "La Danza" available on August 7, 2015. The duration of La Danza is about 3 minutes long, at 3:03. Based on our data, "La Danza" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Juan Diego Flórez's "Italia" album is number 10 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, La Danza's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of La Danza by Gioachino Rossini, Juan Diego Flórez, Avi Avital, Filarmonica Gioachino Rossini, Carlo Tenan to be Allegro (fast, quick, and bright) because the track has a tempo of 155 BPM, a half-time of 78BPM, and a double-time of 310 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
Der Barbier von Sevilla (Il Barbiere di Siviglia) · Arien und Szenen in deutscher Sprache (2000 Digital Remaster), Act 1: Sieh schon die Morgenröte (Ecco ridente in cielo) (Graf Almaviva) | Cesare Sterbini, Gioachino Rossini, Pierre-Augustin Caron de Beaumarchais, Hermann Prey, Erika Köth, Richard Holm, Gottlob Frick, Berliner Symphoniker, Wilhelm Schüchter, Wilhelm Schuechter | C Major | 2 | 8B | 124 BPM | ||
Samson et Dalila: Mon coeur s’ouvre à ta voix | Camille Saint-Saëns, Marie-Nicole Lemieux, Orchestre National De France, Fabien Gabel | A♭ Major | 1 | 4B | 70 BPM | ||
Norma, Act I Scene 1: "Casta Diva" | Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | F Major | 1 | 7B | 88 BPM | ||
Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 2 | 9B | 101 BPM | ||
L'elisir d'amore: Act II: Una furtiva lagrima | Gaetano Donizetti, Lawrence Brownlee, Kaunas City Symphony Orchestra, Constantine Orbelian | G Major | 1 | 9B | 112 BPM | ||
Ciro in Babilonia (Cyrus in Babylon): Act II: Aria: Misero me, che intesi! (Baldassare, Magi) | Gioachino Rossini, Riccardo Botta, Anna Rita Gemmabella, Luisa Islam-Ali-Zade, Maria Soulis, Wojtek Gierlach, Giorgio Trucco, Giovanni Bellavia, ARS Brunensis Chamber Choir, Wurttemberg Philharmonic Orchestra, Antonino Fogliani | A Major | 1 | 11B | 129 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (Contessa) | Wolfgang Amadeus Mozart, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 3 | 9B | 83 BPM | ||
Tosca, Act III: E lucevan le stelle | Giacomo Puccini, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma, Parma Teatro Regio Orchestra | B Minor | 1 | 10A | 79 BPM |
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