"Norma, Act I Scene 1: "Casta Diva"" by Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin was released on 2007. Norma, Act I Scene 1: "Casta Diva" is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The track order of this song in Various Artists's "La Callas, une invitation à l'Opéra" album is number 5 out of 16. Norma, Act I Scene 1: "Casta Diva" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Norma, Act I Scene 1: "Casta Diva" by Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bellini: Norma: "Casta diva" (Norma, Coro) [Live, Paris, 1958] | Vincenzo Bellini, Maria Callas, Chœur du Théâtre national de l'Opéra de Paris, Georges Sebastian, Orchestre du Théâtre National de l'Opéra de Paris | F Major | 3 | 7B | 165 BPM | ||
Les pêcheurs de perles, WD 13 / Act 1: "Je crois entendre encore" | Georges Bizet, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | D♭ Major | 2 | 3B | 85 BPM | ||
O Solitude | Henry Purcell, Alfred Deller, Jane Ryan, Robert Elliott | F Minor | 0 | 4A | 128 BPM | ||
Donde lieta uscì al tuo grido d'amore (Mimì) - 1997 Remastered Version | Giacomo Puccini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | D♭ Major | 1 | 3B | 93 BPM | ||
Caro Nome Che Il Mio Cor (Traviata) | José van Dam | A♭ Major | 1 | 4B | 78 BPM | ||
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Ponchielli: La Gioconda, Act 1: "O grido di quest'anima" (Barnaba, Enzo) | Amilcare Ponchielli, Pier Miranda Ferraro, Piero Cappuccilli, Orchestra del Teatro alla Scala di Milano, Antonino Votto, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano, Pier Miranda Ferraro, Piero Cappuccilli | C Major | 3 | 8B | 138 BPM | ||
Mattinata | Ruggero Leoncavallo, Jonas Kaufmann, Asher Fisch | E♭ Major | 2 | 5B | 172 BPM | ||
L'elisir d'amore: "Una furtiva lacrima" | Luciano Pavarotti, Alfredo Di Lauro, Orchestra Di Lauro | B♭ Minor | 2 | 3A | 80 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM |
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