22 Scottish Songs, WoO 156: No. 1, Untitled - Ludwig van Beethoven, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor Information

Acousticness: 98%
Danceability: 30%
Energy: 9%
Instrumentalness: 63%
Liveness: 10%
Loudness: 61%
Speechiness: 6%
Valence: 7%
Popularity: 0%
Loudness: -23.56 dB

Summary

"22 Scottish Songs, WoO 156: No. 1, Untitled" by Ludwig van Beethoven, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor was released on May 17, 2024. With 22 Scottish Songs, WoO 156: No. 1, Untitled being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Because this song is the only song in Beethoven: 22 Scottish Songs, WoO 156: No. 1, Untitled and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, 22 Scottish Songs, WoO 156: No. 1, Untitled's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

22 Scottish Songs, WoO 156: No. 1, Untitled BPM

The tempo marking of 22 Scottish Songs, WoO 156: No. 1, Untitled by Ludwig van Beethoven, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

22 Scottish Songs, WoO 156: No. 1, Untitled Key

This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses	François Couperin, Alexandre Tharaud	B♭ Major	1	6B	111 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo	Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana	A Major	1	11B	81 BPM
Peer Gynt Suite No.1, Op.46: 1. Morning Mood	Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan	E Major	0	12B	141 BPM
Violin Concerto in D Major, Op. 61: II. Larghetto	Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani	B♭ Major	4	6B	138 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	E♭ Major	1	5B	113 BPM
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia	Aram Khachaturian, London Symphony Orchestra	A♭ Major	1	4B	88 BPM
7 Variations on an original theme, Op. 9, J. 55: Andante	Carl Maria von Weber, Michael Endres	F Major	0	7B	121 BPM
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai	Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth	F♯ Minor	2	11A	156 BPM
Beethoven: 12 Contredanses, WoO 14: No. 3 D Major	Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields	C Minor	1	5A	169 BPM
Minuet from String Quintet in E Major, Op. 13 No. 5	Luigi Boccherini, Mischa Maisky, Orpheus Chamber Orchestra	A Major	0	11B	86 BPM

ISRC: GBBBC2400251
Label: L-M Records/RCA Records

Section: 0.7224094867706299

End: 0.7265915870666504