"Beethoven: 12 Contredanses, WoO 14: No. 3 D Major" by Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields was released on May 17, 2024. With Beethoven: 12 Contredanses, WoO 14: No. 3 D Major being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "The Academy in Concert. Albinoni: Adagio - Pachelbel: Canon - Bach: Air & Music By Beethoven, Handel, Mendelssohn, Mozart". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. The popularity of Beethoven: 12 Contredanses, WoO 14: No. 3 D Major is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Beethoven: 12 Contredanses, WoO 14: No. 3 D Major by Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertissement, Vorstellungen 1803: No. 6, Tempo di Minuetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Keyboard Sonatina In C Major, Op. 36, No. 1: II. Andante | Muzio Clementi, Balazs Szokolay | F Major | 1 | 7B | 99 BPM | ||
Symphony No. 26 in C Minor: II. Andante arioso | Johannes Matthias Sperger, L'Arte del mondo, Werner Ehrhardt | A♭ Major | 0 | 4B | 112 BPM | ||
Oboe Concerto in C minor, TWV 51:c1: 3. Andante | Georg Philipp Telemann, Heinz Holliger, Academy of St. Martin in the Fields, Iona Brown | E♭ Major | 1 | 5B | 158 BPM | ||
Violin Concerto in D Major, Op. 2 No. 2: III. Rondeau | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Major | 1 | 10B | 126 BPM | ||
L'Olimpiade: Sinfonia | Domenico Cimarosa, Christophe Rousset, Les Talens Lyriques | B♭ Major | 3 | 6B | 94 BPM | ||
Symphony in D Major, G. 490: III. Allegro | Luigi Boccherini, German Chamber Academy Neuss, Johannes Goritzki | C Major | 1 | 8B | 134 BPM | ||
5 German Dances with 7 Trios and Coda, D. 89: No. 2, German Dance in G Major | Franz Schubert, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Flute Quintet No. 1 in D Major, Op. 17, G. 419: II. Minuetto: Amoroso | Luigi Boccherini, Alexandre Magnin, Janáček Quartet | D Major | 0 | 10B | 87 BPM | ||
12 Contredanses, WoO 14: No. 3 | Ludwig van Beethoven, Academy of St. Martin in the Fields, Sir Neville Marriner | D♭ Minor | 1 | 12A | 111 BPM |
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