Franz Lehár, Heinz Hoppe, Grosses Operetten Orchester, Franz Marszalek's ' "The Merry Widow (Die lustige Witwe) / Act 1: Ballsirenenwalzer" was released on its scheduled release date, January 1, 1968. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 17 in Franz Lehár: Die lustige Witwe by Franz Lehár, Benno Kusche, Ingeborg Hallstein, Heinz Hoppe, Lucia Popp, Peter Alexander, Günter Kallmann Chor, Grosses Operetten Orchester, Franz Marszalek. In terms of popularity, The Merry Widow (Die lustige Witwe) / Act 1: Ballsirenenwalzer is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of The Merry Widow (Die lustige Witwe) / Act 1: Ballsirenenwalzer by Franz Lehár, Heinz Hoppe, Grosses Operetten Orchester, Franz Marszalek is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Louise, Act III: Depuis le jour | Gustave Charpentier, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | G Major | 1 | 9B | 90 BPM | ||
Erinnerung an Sorrent | Rudolf Schock | C Major | 4 | 8B | 84 BPM | ||
La Sonnambula (1997 Digital Remaster): Compagne, temiri amici ....Come per me sereno | Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | A♭ Major | 1 | 4B | 113 BPM | ||
La fille du régiment / Act 1: Le camarade est amoureux! | Gaetano Donizetti, Eric Garrett, Luciano Pavarotti, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
Frau Luna: Ouvertüre | Paul Lincke, Hamburger Rundfunkorchester, Wilhelm Stephan | A Major | 4 | 11B | 75 BPM | ||
Estudiantina, Waltz, Op. 191 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 2 | 10B | 99 BPM | ||
Anna Bolena: Sinfonia (Overture) | Gaetano Donizetti, Welsh National Opera Orchestra, Richard Bonynge | E Major | 3 | 12B | 146 BPM | ||
Le nozze di Figaro, K.492 / Act 3: "Che soave zeffiretto" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Lucia Popp, London Philharmonic Orchestra, Sir Georg Solti | B♭ Major | 1 | 6B | 135 BPM | ||
Vasco da Gama: La Marguerite a fermé sa corolle...Ouvre ton coeur | Georges Bizet, Dame Joan Sutherland, L'Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 130 BPM | ||
Dorfschwalben aus Osterreich, Op. 164 | Josef Strauss, Wiener Symphoniker, Manfred Honeck | E♭ Major | 1 | 5B | 94 BPM |