Giacomo Puccini, Giuseppe Taddei, Federico Davia, Ramón Vargas, Dwayne Croft, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine's 'Manon Lescaut / Act 1: Di sedur la sorellina è il momento' came out on January 1, 1993. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 33 in the song's album "Puccini: Manon Lescaut". In this album, this song's track order is #12. Based on our statistics, Manon Lescaut / Act 1: Di sedur la sorellina è il momento's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon Lescaut / Act 1: Di sedur la sorellina è il momento by Giacomo Puccini, Giuseppe Taddei, Federico Davia, Ramón Vargas, Dwayne Croft, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta/Marcellop/Alcindoro/Mimì/Rodolfo/Schaunard/Colline) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Carlo Forti, Carlo Badioli, Franco Ricciardi, Antonino Votto, Eraldo Coda, Anna Moffo, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 132 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Riccardo Muti, Ann Murray, Wiener Philharmoniker | B♭ Major | 1 | 6B | 111 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Bizet: Carmen, WD 31, Act 2: "La fleur que tu m'avais jetée" (Don José) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 2 | 10B | 99 BPM | ||
Gianni Schicchi: O Simone?...Simone? | Giacomo Puccini, Victoria de los Ángeles, Tito Gobbi, Anna Maria Canali, Orchestra of the Rome Opera, Gabriele Santini | C Major | 2 | 8B | 111 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Puccini: Tosca, Act 1: "Mario! Mario! Mario! Son qui!" (Tosca, Cavaradossi) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Roberto Alagna, Orchestra of the Royal Opera House & Covent Garden | D Major | 0 | 10B | 84 BPM |
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