"Der Rosenkavalier, Op. 59, TrV 227 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben"" by Richard Strauss, Edith Mathis, Tatiana Troyanos, Christa Ludwig, Wiener Philharmoniker, Karl Böhm was released on January 1, 1994. Der Rosenkavalier, Op. 59, TrV 227 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben" is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. There are a total of 26 in the song's album "Strauss, R.: Der Rosenkavalier". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. Based on our statistics, Der Rosenkavalier, Op. 59, TrV 227 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Rosenkavalier, Op. 59, TrV 227 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben" by Richard Strauss, Edith Mathis, Tatiana Troyanos, Christa Ludwig, Wiener Philharmoniker, Karl Böhm having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Violin Concerto In D Major, Op.35: 1. Moderato nobile | Erich Wolfgang Korngold, Anne-Sophie Mutter, London Symphony Orchestra, André Previn | E Minor | 2 | 9A | 175 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Der Rosenkavalier op. 59: Muß jetzt partout zu ihr! | Richard Strauss, Metropolitan Opera Orchestra, Fritz Reiner, Emanuel List, Leslie Chabay, Rise Stevens, Lorenzo Alvary, Eleanor Steber, Erna Berger | B♭ Minor | 2 | 3A | 79 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Violin Concerto No. 2 in A Major, Op. 5: II. Largo | Joseph Boulogne Chevalier de Saint-Georges, Anne-Sophie Mutter, Mutter's Virtuosi | D Minor | 1 | 7A | 104 BPM | ||
3 Small Tone Poems: No. 3. Spring Morning | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | A Major | 0 | 11B | 95 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 -"Moonlight": 2. Allegretto | Ludwig van Beethoven, Daniel Barenboim | D♭ Major | 0 | 3B | 68 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM |
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