On 1987, the song "Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: V. Gigue" was released by Johann Sebastian Bach, Sir Neville Marriner. The duration of Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: V. Gigue is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: V. Gigue's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 43 in Bach: Brandenburg Concertos - Orchestral Suites by Johann Sebastian Bach, Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: V. Gigue is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: V. Gigue by Johann Sebastian Bach, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus-Passion, BWV 244, Pt. 2: No. 68, Chorus. "Wir setzen uns mit Tränen nieder" | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | C Minor | 2 | 5A | 111 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
30 Études de mécanisme, Op. 849: No. 1 in C Major. Allegro | Carl Czerny, Nicolas Horvath | C Major | 1 | 8B | 84 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Nocturne No.2 in E flat major, Op.9 No.2 | Frédéric Chopin, Vladimir Ashkenazy | B♭ Major | 0 | 6B | 129 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Concerto in D Minor for Two Violins, BWV 1043: Largo ma non tanto | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM |
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