Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent's 'Concerto in D Minor for Two Violins, BWV 1043: Largo ma non tanto' came out on 1957. Concerto in D Minor for Two Violins, BWV 1043: Largo ma non tanto is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. The song is number 2 out of 9 in Bach: Concerto for Two Violins/Mozart: Sinfonia concertante/Brahms: Double Concerto by Jascha Heifetz. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Concerto in D Minor for Two Violins, BWV 1043: Largo ma non tanto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto in D Minor for Two Violins, BWV 1043: Largo ma non tanto by Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphony No. 5 In B Flat, D.485: I. Allegro | Franz Schubert, Wiener Philharmoniker, Karl Böhm | C Major | 1 | 8B | 106 BPM | ||
Gayane: Sabre Dance | Aram Khachaturian, Jascha Heifetz | C Major | 5 | 8B | 94 BPM | ||
String Quartet No.1 In D Major, Op.11, TH.111 - Orchestral Version: 2. Andante cantabile | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Members of Berliner Philharmoniker | F♯ Major | 1 | 2B | 98 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: I. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | C Major | 0 | 8B | 124 BPM | ||
Violin Concerto, Op. 77, in D: Adagio | Johannes Brahms, Jascha Heifetz, Serge Koussevitzky | D Major | 4 | 10B | 75 BPM | ||
Triakontameron, No. 11: Alt Wien | Leopold Godowsky, Jascha Heifetz | G Major | 3 | 9B | 104 BPM | ||
Schweigt stille, plaudert nicht Cantata, BWV 211 "Coffee Cantata": 4. Arie: Ei! wie smeckt Coffee süße | Johann Sebastian Bach, Emma Kirkby, Lisa Beznosiuk, Academy of Ancient Music, Christopher Hogwood | B♭ Minor | 1 | 3A | 66 BPM | ||
Brandenburg Concerto No. 1 in F BWV1046: III. Allegro | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 92 BPM | ||
Klid (Silent woods) for Cello and Orchestra, Op. 68, No. 5 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa | D♭ Major | 0 | 3B | 92 BPM | ||
The Lark | Mario Castelnuovo-Tedesco, Jascha Heifetz | C Major | 3 | 8B | 92 BPM |
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