"Tristan and Isolde, WWV 90, Act III: Mild und Leise" by Richard Wagner, Anton Nanut, Edda Moser, RTV Slovenia Symphony Orchestra was released on October 9, 2021. Since Tristan and Isolde, WWV 90, Act III: Mild und Leise is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 50 Greatest Hits of Opera!, so we believe that "Tristan and Isolde, WWV 90, Act III: Mild und Leise" is a single. Tristan and Isolde, WWV 90, Act III: Mild und Leise is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tristan and Isolde, WWV 90, Act III: Mild und Leise by Richard Wagner, Anton Nanut, Edda Moser, RTV Slovenia Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jazz Suite No. 2: VII. Dance 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 109 BPM | ||
Grieg: Norwegian Dances, Op. 35: No. 4, Allegro molto | Edvard Grieg, Estonian National Symphony Orchestra, Paavo Järvi | D Minor | 1 | 7A | 114 BPM | ||
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Tristan und Isolde: Act I Scene 3: O Wunder! Wo hatt' ich die Augen? (Brangane, Tristan) | Richard Wagner, Wolfgang Millgramm, Lennart Forsen, Hedwig Fassbender, Gunnar Lundberg, Magnus Kyhle, Martina Dike, John Erik Eleby, Ulrik Qvale, Royal Swedish Opera Chorus, Royal Swedish Opera Orchestra, Leif Segerstam | B Major | 1 | 1B | 141 BPM | ||
Der fliegende Hollander (The Flying Dutchman): Ouverture | Richard Wagner, Ingrid Haubold, Jörg Hering, Erich Knodt, Alfred Muff, Marga Schiml, Peter Seiffert, Budapest Radio Chorus, Austrian Radio Symphony Orchestra, Pinchas Steinberg | D Minor | 1 | 7A | 86 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Catarina Ligendza, Christa Ludwig, Plácido Domingo, Horst Laubenthal, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | F♯ Minor | 2 | 11A | 75 BPM | ||
Symphonie fantastique, Op. 14, H 48: 2. Un bal (Valse: Allegro non troppo) | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | A Major | 1 | 11B | 84 BPM | ||
Der fliegende Holländer / Act 2: "Summ und Brumm, du gutes Rädchen" - "Dann hält uns länger keine Pflicht" (Chor der Mädchen, Mary, Senta) | Richard Wagner, Elisabeth Schärtel, Bayreuth Festival Orchestra, Bayreuth Festival Chorus, Wilhelm Pitz | B Minor | 1 | 10A | 76 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM |
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