"Der fliegende Hollander (The Flying Dutchman): Ouverture" by Richard Wagner, Ingrid Haubold, Jörg Hering, Erich Knodt, Alfred Muff, Marga Schiml, Peter Seiffert, Budapest Radio Chorus, Austrian Radio Symphony Orchestra, Pinchas Steinberg was released on September 6, 1993. Der fliegende Hollander (The Flying Dutchman): Ouverture appears to be safe for all ages as it is not explicit. This song is part of Wagner, R.: Fliegende Hollander (Der) by Richard Wagner, Pinchas Steinberg. The song's track number on the album is #1 out of 29 tracks. Der fliegende Hollander (The Flying Dutchman): Ouverture is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Der fliegende Hollander (The Flying Dutchman): Ouverture by Richard Wagner, Ingrid Haubold, Jörg Hering, Erich Knodt, Alfred Muff, Marga Schiml, Peter Seiffert, Budapest Radio Chorus, Austrian Radio Symphony Orchestra, Pinchas Steinberg has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Der fliegende Hollander (The Flying Dutchman): Ouverture being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der fliegende Hollander (The Flying Dutchman): Act III No. 7: Szene und Chor - Steuermann, lass die Wacht! | Richard Wagner, Ingrid Haubold, Jörg Hering, Erich Knodt, Alfred Muff, Marga Schiml, Peter Seiffert, Budapest Radio Chorus, Austrian Radio Symphony Orchestra, Pinchas Steinberg | G Major | 2 | 9B | 86 BPM | ||
Tristan und Isolde / Act 2: "O sink hernieder, Nacht der Liebe" | Richard Wagner, Deborah Voigt, Thomas Moser, Vienna State Opera Orchestra, Christian Thielemann | A♭ Major | 1 | 4B | 67 BPM | ||
Fruhlingsstimmen (Voices of Spring), Op. 410 | Johann Strauss II, Austrian Radio Symphony Orchestra, Peter Guth | F Major | 2 | 7B | 86 BPM | ||
Hungarian Rhapsody No. 2 in C Sharp Minor, S. 244 | Franz Liszt, Roberto Szidon | D♭ Major | 3 | 3B | 102 BPM | ||
The Planets, Op. 32: 2. Venus, the Bringer of Peace | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | F Minor | 0 | 4A | 88 BPM | ||
Souvenir de Nizza, Walzer, Op. 200 | Johann Strauss II, Austrian Radio Symphony Orchestra, Peter Guth | F Major | 2 | 7B | 97 BPM | ||
Beethoven: Symphony No. 5 in C Minor, Op. 67: III. Allegro - | Ludwig van Beethoven, Kurt Masur, New York Philharmonic | F Major | 3 | 7B | 88 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Kunstler-Quadrille, Op. 71 | Johann Strauss II, Austrian Radio Symphony Orchestra, Peter Guth | F Major | 2 | 7B | 97 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM |
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