Johann Caspar Ferdinand Fischer, Benjamin Alard made "Les Pièces de clavessin, Op. 2: Præludium VIII in G Major" available on April 10, 2020. The duration of Les Pièces de clavessin, Op. 2: Præludium VIII in G Major is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Les Pièces de clavessin, Op. 2: Præludium VIII in G Major's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Benjamin Alard's "J.S. Bach: Complete Keyboard Edition, Vol. 3" album is number 15 out of 67. Les Pièces de clavessin, Op. 2: Præludium VIII in G Major is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Les Pièces de clavessin, Op. 2: Præludium VIII in G Major by Johann Caspar Ferdinand Fischer, Benjamin Alard to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Musicalischer Parnassus, uranie suite: XI. Menuet I da capo | Johann Caspar Fischer, Tony Millan | E♭ Minor | 2 | 2A | 79 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 88 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Airs for the Autumn: Night Shade: I. Aria: Pastorale vivace | James Oswald, The Broadside Band | D♭ Major | 2 | 3B | 135 BPM | ||
6 Sonates meleese de pieces, Op. 2: VI. Sonata in A minor "La Boucot”: II. Allemanda. Allegro | Michel Blavet, Claudio Ferrarini, Accademia Farnese | G Minor | 3 | 6A | 78 BPM | ||
Sonate, correnti et arie, Op. 4: No. 3, Corrente nona a violino solo | Marco Uccellini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Ero Maria Barbero | G Minor | 2 | 6A | 48 BPM | ||
Laudate pueri, HWV 237: II. Sit nomen Domini | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Messa Delli Apostoli: Kyrye V | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
La morte del cor penitente, Pt. 1: Sinfonia | Giovanni Legrenzi, Sonatori de la Gioiosa Marca | C Minor | 1 | 5A | 192 BPM | ||
Uns ist ein Kind geboren: I. Sonata | Johann Kuhnau, Camerata Lipsiensis, Gregor Meyer | A♭ Minor | 1 | 1A | 103 BPM |
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