On July 1, 2016, the song "Musicalischer Parnassus, uranie suite: XI. Menuet I da capo" was released by Johann Caspar Fischer, Tony Millan. With Musicalischer Parnassus, uranie suite: XI. Menuet I da capo being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Caspar Fischer, Tony Millan's "J.C.F. Fischer: Harpsichord Suites" album is number 11 out of 54. On top of that, Netherlands appears to be the country where this track was created. Musicalischer Parnassus, uranie suite: XI. Menuet I da capo is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Musicalischer Parnassus, uranie suite: XI. Menuet I da capo by Johann Caspar Fischer, Tony Millan to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata sesta in G Major: II. Con Spirito ma non presto | Mrs Philarmonica, Le Consort | F♯ Major | 3 | 2B | 70 BPM | ||
Ricercar 13 | Giulio Segni Da Modena, Gawain Glenton, Silas Wollston | A Major | 0 | 11B | 77 BPM | ||
Musicalischer Parnassus: Polymnia, Suite No. 8: V. Combattement | Johann Caspar Ferdinand Fischer, Luc Beauséjour | F♯ Major | 2 | 2B | 93 BPM | ||
Céphale et Procris, Prologue: Ouverture | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Minuet in A Minor, Z. 650 (Arr. M. Köll for Harp) | Henry Purcell, Margret Köll | A Minor | 0 | 8A | 113 BPM | ||
Suitte en Trio No. 2 in A Major, Op. 1: II. Allemande | Louis-Antoine Dornel, Musica Barocca | E♭ Major | 2 | 5B | 131 BPM | ||
Gott Hilf Mir, BuxWV 34: Sonata | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot | C Minor | 2 | 5A | 90 BPM | ||
Violin Sonata in G Major, Op. 2 No. 5: IV. Gigue. Allegro assai | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | A♭ Minor | 1 | 1A | 73 BPM | ||
Trio Sonata in D Minor, Op. 4, No. 1: IV. Allegro | Jean-Marie Leclair, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
Fantazia V, Z. 736 | Henry Purcell, John Holloway, Monika Baer, Renate Steinmann, Martin Zeller | E Major | 2 | 12B | 139 BPM |
Section: 0.9598214626312256
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