Musicalischer Parnassus: Polymnia, Suite No. 8: V. Combattement - Johann Caspar Ferdinand Fischer, Luc Beauséjour Information

Acousticness: 88%
Danceability: 26%
Energy: 23%
Instrumentalness: 0%
Liveness: 16%
Loudness: 64%
Speechiness: 3%
Valence: 40%
Popularity: 0%
Loudness: -21.321 dB

Summary

Johann Caspar Ferdinand Fischer, Luc Beauséjour made "Musicalischer Parnassus: Polymnia, Suite No. 8: V. Combattement" available on June 8, 2000. With Musicalischer Parnassus: Polymnia, Suite No. 8: V. Combattement being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 30 in Fischer: Musical Parnassus, Vol. 2 by Johann Caspar Ferdinand Fischer. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Musicalischer Parnassus: Polymnia, Suite No. 8: V. Combattement is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Musicalischer Parnassus: Polymnia, Suite No. 8: V. Combattement BPM

The tempo marking of Musicalischer Parnassus: Polymnia, Suite No. 8: V. Combattement by Johann Caspar Ferdinand Fischer, Luc Beauséjour is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Musicalischer Parnassus: Polymnia, Suite No. 8: V. Combattement Key

This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sonata in C Minor, Jung III.2.B: I. Largo	Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki	B Minor	1	10A	96 BPM
Missa Sancti Dominici: III. Credo	Johann Caspar Ferdinand Fischer, Beate Spaltner, Ursula Benzing, Judith Ritter, Matthias Lucht, Jurgen Ochs, Raimund Sturm, Johannes Happel, Claus Temps	B Major	2	1B	68 BPM
Messa Delli Apostoli: Kyrye V	Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco	F♯ Major	1	2B	86 BPM
Ascanio in Alba, K. 111: Act I Scene 1: Andante grazioso, che ballano le Grazie	Wolfgang Amadeus Mozart, Raphaël Boulay, Michael Chance, Jill Feldman, Rosa Mannion, Howard Milner, Lorna Windsor, Paris Sorbonne University Choir, Concerto Armonico, Jacques Grimbert	D♭ Major	0	3B	180 BPM
Concerto Armonico I: I. Grave	Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa	D♭ Major	1	3B	95 BPM
Sonata a 6 in D Minor, G. 23	David Pohle, Clematis, Brice Sailly, Stéphanie de Failly	D Major	1	10B	93 BPM
Premier livre: Rondeau en ré mineur	Jacques Duphly, Christophe Rousset	D♭ Minor	4	12A	90 BPM
Sonata in E Minor, Kk. 98 (Arr. for Accordion by Philippe Thuriot)	Domenico Scarlatti, Philippe Thuriot	E Major	1	12B	140 BPM
Ouverture No. 6 in G Minor: II. Largo	Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini	B Minor	1	10A	76 BPM
Praeludium and Allemande	Johann Caspar Ferdinand Fischer, Pastór de Lasala	E Major	2	12B	109 BPM

ISRC: HKI199903512
Label: L-M Records/RCA Records

Section: 0.8993570804595947

End: 0.9030847549438477