"Qui moderatur sermones suos" by Choir of St. John's College, Cambridge, Timothy Ravalde, His Majestys Sagbutts & Cornetts was released on 2011. The duration of Qui moderatur sermones suos is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Qui moderatur sermones suos's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Choir of St. John's College, Cambridge, Andrew Nethsingha's "Laudent Deum: Sacred Music by Orlande de Lassus" album is number 7 out of 24. In terms of popularity, Qui moderatur sermones suos is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Qui moderatur sermones suos by Choir of St. John's College, Cambridge, Timothy Ravalde, His Majestys Sagbutts & Cornetts to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Auferstehungshistorie, SWV 50: (Introitus) Die Auferstehung unseres Herren Jesu Christi | Heinrich Schütz, Ensemble Polyharmonique | D Minor | 3 | 7A | 134 BPM | ||
Lectio I | Hildegard von Bingen, La Reverdie | E♭ Major | 0 | 5B | 68 BPM | ||
O Mors Illa | Girolamo Frescobaldi, Adrian Lucas, George Guest | G Minor | 1 | 6A | 81 BPM | ||
Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) | Philippe de Vitry, Sequentia | C Major | 1 | 8B | 81 BPM | ||
Burial Sentences: II. I Know That My Redeemer Liveth | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | C Minor | 1 | 5A | 144 BPM | ||
Ave Maria | Rebecca Clarke, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | A Minor | 1 | 8A | 140 BPM | ||
O Fire of the Spirit and Defender | Monks Of The Abbey Of Notre Dame, Gregorian Chants | D Minor | 2 | 7A | 111 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Mon cœur se recommande à vous | Orlande de Lassus, Laudantes Consort, Guy Janssens | E♭ Major | 3 | 5B | 129 BPM |
Section: 0.6535465717315674
End: 0.6593129634857178