"Auferstehungshistorie, SWV 50: (Introitus) Die Auferstehung unseres Herren Jesu Christi" by Heinrich Schütz, Ensemble Polyharmonique was released on March 17, 2023. With Auferstehungshistorie, SWV 50: (Introitus) Die Auferstehung unseres Herren Jesu Christi being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Heinrich Schütz, Ensemble Polyharmonique's "Heinrich Schütz: Auferstehungshistorie" album is number 3 out of 20. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Auferstehungshistorie, SWV 50: (Introitus) Die Auferstehung unseres Herren Jesu Christi's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Auferstehungshistorie, SWV 50: (Introitus) Die Auferstehung unseres Herren Jesu Christi by Heinrich Schütz, Ensemble Polyharmonique to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Membra Jesu Nostri, BuxWV 75: Sonata [Ad cor] | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot | C Minor | 2 | 5A | 90 BPM | ||
Requiem in F Minor, C 8: Ib. Kyrie | Heinrich Ignaz Franz von Biber, Vox Luminis, Freiburger BarockConsort, Lionel Meunier | F Minor | 1 | 4A | 85 BPM | ||
Missa Praeter rerum seriem: III. Credo | George de La Hèle, El León de Oro, Peter Phillips | G Major | 2 | 9B | 142 BPM | ||
Missa Salve Diva Parens: I. Kyrie I | Jakob Obrecht, The Sound and the Fury | E Minor | 3 | 9A | 75 BPM | ||
No. 133, Psalm Siehe, wie fein und lieblich ists, SWV 48 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg | G Minor | 2 | 6A | 117 BPM | ||
Der Herr ist nahe: VII. 07 7. Chorale: Weicht ihr Trauergeister | Johann David Heinichen, Ensemble Polyharmonique, {oh!} Orkiestra, Alexander Schneider | D♭ Minor | 1 | 12A | 113 BPM | ||
Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | ||
Tenebrae Responsories for Maundy Thursday: Tristis est anima mea: a. Respond. Tristis est anima mea | Carlo Gesualdo, Owain Park, The Gesualdo Six | D♭ Minor | 1 | 12A | 88 BPM | ||
Sheppard: Laudem dicite - 1. Laudem dicite Deo nostro | John Sheppard, The Tallis Scholars, Peter Phillips | D♭ Major | 2 | 3B | 87 BPM | ||
Wie lieblich sind deine Wohnungen | Johann Hermann Schein, Vox Luminis, Lionel Meunier | D Minor | 1 | 7A | 105 BPM |
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