"Cello Suite No. 2, Op. 80: II. Fuga: Andante" by Benjamin Britten, Miklós Perényi was released on January 1, 2008. The duration of Cello Suite No. 2, Op. 80: II. Fuga: Andante is about 3 minutes long, at 3:07. Based on our data, "Cello Suite No. 2, Op. 80: II. Fuga: Andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 44 in Cello Music by Various Artists, Neeme Järvi. Cello Suite No. 2, Op. 80: II. Fuga: Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Suite No. 2, Op. 80: II. Fuga: Andante by Benjamin Britten, Miklós Perényi is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento: V: Turkey Trot: Allegretto, ben misurato | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Hary Janos Suite: Háry János Suite: V. Intermezzo | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | D Minor | 1 | 7A | 109 BPM | ||
War Requiem, Op. 66: ii. Requiem Aeternam - Te decet hymnus | Benjamin Britten, Gianandrea Noseda, Choir of Eltham College, London Symphony Chorus, London Symphony Orchestra | C Major | 0 | 8B | 101 BPM | ||
5 Bagatelles for clarinet and piano, Op.23: 4. Forlana - Allegretto grazioso | Gerald Finzi, Emma Johnson, Malcolm Martineau | F♯ Major | 0 | 2B | 185 BPM | ||
Brandenburg Concerto No. 4 in G, BWV 1049: 1. Allegro | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
Aequali No. 1, WAB 114 | Anton Bruckner, Mark Templeton, Helen Vollam, Patrick Jackman, Nigel Short | C Minor | 0 | 5A | 69 BPM | ||
Carmen / Act 2: Entr'acte | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 64 BPM | ||
Tristan und Isolde / Act 3: "Mild und leise wie er lächelt" | Richard Wagner, Margaret Price, Staatskapelle Dresden, Carlos Kleiber | B Major | 2 | 1B | 90 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto - Un pochettino largamente | Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra | A♭ Major | 1 | 4B | 79 BPM |
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