Gaetano Donizetti, Roberto Abbado's 'Don Pasquale: Act I: Bella siccome un angelo' had a release date set for October 18, 1993. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Don Pasquale: Act I: Bella siccome un angelo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 47 in Don Pasquale by Gaetano Donizetti, Roberto Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Don Pasquale: Act I: Bella siccome un angelo is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Don Pasquale: Act I: Bella siccome un angelo by Gaetano Donizetti, Roberto Abbado is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Casta Diva" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
L'elisir d'amore / Act I: "Una parola, Adina" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Major | 0 | 6B | 114 BPM | ||
Lucia di Lammermoor (1997 Digital Remaster): Tu che a Dio spiegasti I'ali | Gaetano Donizetti, Giuseppe Di Stefano, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, RIAS Sinfonie-Orchester Berlin, Herbert von Karajan | D♭ Major | 1 | 3B | 171 BPM | ||
Il Barbiere di Siviglia: Se il mio nome saper voi bramate - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | F Major | 2 | 7B | 118 BPM | ||
Non t'amo più | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | B♭ Minor | 1 | 3A | 80 BPM | ||
Wagner: Tristan und Isolde, WWV 90, Act 3, Final Scene: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano, Ian Bostridge | B Major | 1 | 1B | 180 BPM | ||
Samson et Dalila / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Elena Obraztsova, Plácido Domingo, Orchestre de Paris, Daniel Barenboim | D♭ Major | 2 | 3B | 88 BPM | ||
Lucia di Lammermoor (1997 Digital Remaster): Oh, meschina! Oh, fato orrendo! | Gaetano Donizetti, Giuseppe Di Stefano, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, RIAS Sinfonie-Orchester Berlin, Herbert von Karajan | F Major | 2 | 7B | 80 BPM | ||
LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Zweiter Akt, zweite Szene: - Weihe mir eine Träne (Wahnsinns-Szene: Lucia - Chor - Raimund) | Gaetano Donizetti, Salvatore Cammarano, Walter Scott, Erika Köth/Gottlob Frick/Chor der Städtischen Oper Berlin/Berliner Symphoniker/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker | G Major | 4 | 9B | 64 BPM | ||
Idomeneo, re di Creta, K.366 / Act 2: "Fuor del mar" | Wolfgang Amadeus Mozart, Luciano Pavarotti, Wiener Philharmoniker, Sir John Pritchard | D Major | 3 | 10B | 119 BPM |