Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice's 'The Sleeping Beauty, Op. 66 : (B) Cendrillon Et Le Prince Fortune (Cinderella and Prince Fortune)' came out on July 31, 1992. The duration of The Sleeping Beauty, Op. 66 : (B) Cendrillon Et Le Prince Fortune (Cinderella and Prince Fortune) is about 3 minutes long, at 3:07. Based on our data, "The Sleeping Beauty, Op. 66 : (B) Cendrillon Et Le Prince Fortune (Cinderella and Prince Fortune)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 65 in the song's album "Tchaikovsky: The Sleeping Beauty (Complete Ballet)". In this album, this song's track order is #15. The Sleeping Beauty, Op. 66 : (B) Cendrillon Et Le Prince Fortune (Cinderella and Prince Fortune) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66 : (B) Cendrillon Et Le Prince Fortune (Cinderella and Prince Fortune) by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No.1, WD 40: 3. Adagietto | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 0 | 7B | 92 BPM | ||
Adam & Drigo: Le Corsaire: Pas-de-deux - No. 3, Variation 2 (Allegro) | Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | F Major | 1 | 7B | 104 BPM | ||
Concerto for Piano and Orchestra No. 2, in C Minor, Op. 18: I. Moderato | Baltic New Philharmonia, Norbert Kirchmann | C Minor | 1 | 5A | 75 BPM | ||
Pictures at an Exhibition: Promenade | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 125 BPM | ||
Raymonda, Act III: Coda | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Minor | 4 | 7A | 166 BPM | ||
Ohlas pisni (Echo of Songs), B. 152 (arr. of Cypresses, B. 11 for string quartet): I Know That on My Love | Antonín Dvořák, Vlach Quartet Prague | D♭ Major | 1 | 3B | 98 BPM | ||
Gaîté parisienne: Ländler (Allegro) | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 76 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Romeo and Juliet, Op.64 - Act 3: Romeo Bids Juliet Farewell | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | D Minor | 1 | 7A | 64 BPM | ||
Don Quixote: Act I: Scene of the Toreadors | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Major | 3 | 11B | 128 BPM |
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