Michael Praetorius, Ludwig Güttler, Blechbläserensemble Ludwig Güttler made "Musae Sioniae Teil IX: No. 8: "Vom Himmel hoch" - Arr. by L. Güttler" available on January 1, 1984. With Musae Sioniae Teil IX: No. 8: "Vom Himmel hoch" - Arr. by L. Güttler being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 24 out of 25 in Bläsermusik zur Weihnacht by Ludwig Güttler, Blechbläserensemble Ludwig Güttler. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Musae Sioniae Teil IX: No. 8: "Vom Himmel hoch" - Arr. by L. Güttler is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Musae Sioniae Teil IX: No. 8: "Vom Himmel hoch" - Arr. by L. Güttler by Michael Praetorius, Ludwig Güttler, Blechbläserensemble Ludwig Güttler is Moderato (at a moderate speed), since this song has a tempo of 115 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ego Flos Campi | Oxford Camerata, Jacob Clemens non Papa | F♯ Major | 0 | 2B | 139 BPM | ||
Dum transisset sabbatum | John Taverner, Alamire, David Skinner | E♭ Minor | 3 | 2A | 79 BPM | ||
Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
Erbarm dich mein, o Herre Gott, SWV 148 | Heinrich Schütz, Bremen Weser-Renaissance | C Major | 1 | 8B | 74 BPM | ||
Lamentations of Jeremiah I - Ed. Philip Brett | Thomas Tallis, Choir of King's College, Cambridge, Stephen Cleobury | D Minor | 1 | 7A | 77 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Missa "Mille Regretz": Agnus Dei I (Morales) | The Hilliard Ensemble | A Minor | 2 | 8A | 72 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Suite in G Major: VI. Chaconne | Robert de Visée, Yasunori Imamura | F Major | 1 | 7B | 117 BPM | ||
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM |
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